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The Uncanny Meeting Point of Languages: Hebrew in G. Shofman and David Vogel’s Vienna
G. Shofman and David Vogel wrote beautiful literature from the multilingual Vienna in the interwar period. Seemingly, they wrote monolingual Hebrew texts, but this Hebrew encodes all the other languages, and all the gaps, all the places that the chosen ...
Dekel Shay Schory
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Our analysis intends to demonstrate how the character's narrative path develops – from the unheimlich effects felt by the protagonist Marion Post to the remembrance of her past – whose strength makes her leave her narcissistic confinement in the present ...
Mariana Alice de Souza Miranda
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A L’ENVERS, À L’ENDROIT : Freud et le littéraire, à la source
Dans une lettre à Wilhelm Fliess datant de 1898 Freud donne pour la toute première fois le commentaire d’un texte littéraire. Il souligne l’analogie entre la nouvelle de Conrad Ferdinand Meyer, Die Richterin, et le roman familial de ses patients. On peut
Sjef Houppermans
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Reflexões Sobre o Corpo Estranho e a Política de Morte na Terra Indígena Yanomami
Este artigo tem como objetivo analisar a relação entre os conceitos de necropolítica, proposto por Achille Mbembe, e de unheimlich, desenvolvido por Sigmund Freud.
Thais Andrade, Avelino Rodrigues
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Taking issue with Sigmund Freud’s premise on the subject, this essay seeks alternately to inquire into, challenge, and broaden our understanding of the uncanny.
Umar Shehzad
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L’horreur de Hérédité : une mise en scène de l’inquiétant « familial »
Hereditary, Ari Aster’s first feature film, displays from the outset a generic hybridity making its ambivalent identity manifest. This ambivalence is central to Freud’s uncanny, and beyond the director’s self-confessed ambition to convey this feeling ...
Lucie Patronnat
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Pulsões do grotesco: o estranhamento no filme o Labirinto do Fauno
Ao conceber um fértil terreno marcado pelo embaralho entre realidade e fantasia, o diretor mexicano Guillermo del Toro expande o universo fantástico ao produzir o longa-metragem O Labirinto do Fauno, no ano de 2006.
Yasmin Pol da Rosa
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“Un boleto para cualquier parte” de Amparo Dávila: mímesis de una inquietante extrañeza
Mi intento es ofrecer una apreciación teórico-literaria, a partir de las nociones de mímesis y de la inquietante extrañeza (unheimlich), del cuento “Un boleto para cualquier parte”, de la escritora mexicana Amparo Dávila.
Shanik Sánchez
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The Uncannily Intimate in Guy Maddin’s Cowards Bend the Knee: An Aesthetics of the Suddenly Obscene
Taking as a point of departure the Freudian notion of the “Unheimlich” and Jacques Lacan’s theory on the “ex-timate,” this paper will focus on the symbolic materialisation of the intimate, as a reflection of the split identity of the subject, and of the ...
Anne COMBARNOUS
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Edward Prendick, the protagonist and narrator of The Island of Dr Moreau, embarks on a hazardous and terrifying crossing (between England and an unknown Pacific island) that will lead to other types of crossings – biological, taxonomical, psychological ...
Françoise DUPEYRON-LAFAY
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