Results 1 to 10 of about 19,105 (181)

Power, agency, deference and difference Examining the politics of composer–performer relationships in the wake of recent innovations [PDF]

Fields, 2016
With a view to uncovering the political implications of notational, technological and musical innovation in composer–performer relationships within Western art music, this paper examines three disparate works: Christian Wolff’s Duo for Pianists II (1958);
Aulich, John
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Economía política del Unheimlich en el pensamiento (estético-político) de Heidegger [PDF]

Resonancias: Revista de Filosofía, 2016
El presente texto aborda el problema de la política en el pensamiento de Heidegger a partir del tratamiento que hay en él de la cuestión de la verdad y la obra de arte, exponiendo a partir del concepto de Unheimlich, los elementos centrales de una ...
Luciano Allende Pinto
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The Merchant in Venice: Shylock’s „Unheimlich” Return [PDF]

Multicultural Shakespeare, 2017
The first decades of the new millennium have seen an odd return to origins in Shakespeare studies. The Merchant in Venice, a site-specific theatrical production realized during the 500th anniversary year of the “original” Jewish Ghetto, was not only a ...
Diana E. Henderson
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The Uncanny Meeting Point of Languages: Hebrew in G. Shofman and David Vogel’s Vienna

Yod, 2021
G. Shofman and David Vogel wrote beautiful literature from the multilingual Vienna in the interwar period. Seemingly, they wrote monolingual Hebrew texts, but this Hebrew encodes all the other languages, and all the gaps, all the places that the chosen ...
Dekel Shay Schory
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From the unheimlich’s effect to remembrance: the narrative path of the character Marion Post in Another Woman (1988), by Woody Allen

Travessias, 2021
Our analysis intends to demonstrate how the character's narrative path develops – from the unheimlich effects felt by the protagonist Marion Post to the remembrance of her past – whose strength makes her leave her narcissistic confinement in the present ...
Mariana Alice de Souza Miranda
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A L’ENVERS, À L’ENDROIT : Freud et le littéraire, à la source

Relief: Revue Électronique de Littérature Francaise, 2010
Dans une lettre à Wilhelm Fliess datant de 1898 Freud donne pour la toute première fois le commentaire d’un texte littéraire. Il souligne l’analogie entre la nouvelle de Conrad Ferdinand Meyer, Die Richterin, et le roman familial de ses patients. On peut
Sjef Houppermans
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Reflexões Sobre o Corpo Estranho e a Política de Morte na Terra Indígena Yanomami

Estudos e Pesquisas em Psicologia, 2023
Este artigo tem como objetivo analisar a relação entre os conceitos de necropolítica, proposto por Achille Mbembe, e de unheimlich, desenvolvido por Sigmund Freud.
Thais Andrade, Avelino Rodrigues
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Poetics of the Uncanny: A Post-Phenomenological Critique of D. H. Lawrence and Somerset Maugham’s Short Fiction

NUML Journal of Critical Inquiry, 2021
Taking issue with Sigmund Freud’s premise on the subject, this essay seeks alternately to inquire into, challenge, and broaden our understanding of the uncanny.
Umar Shehzad
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L’horreur de Hérédité : une mise en scène de l’inquiétant « familial »

Mise au Point, 2023
Hereditary, Ari Aster’s first feature film, displays from the outset a generic hybridity making its ambivalent identity manifest. This ambivalence is central to Freud’s uncanny, and beyond the director’s self-confessed ambition to convey this feeling ...
Lucie Patronnat
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Pulsões do grotesco: o estranhamento no filme o Labirinto do Fauno

Palíndromo, 2023
Ao conceber um fértil terreno marcado pelo embaralho entre realidade e fantasia, o diretor mexicano Guillermo del Toro expande o universo fantástico ao produzir o longa-metragem O Labirinto do Fauno, no ano de 2006.
Yasmin Pol da Rosa
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