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Narrativas de terror y narración perturbadora
Drawing on the transmedial narratological concept of perturbatory narration, I analyse Argentinian terror stories that work with its narrative strategies: deception (« Cirugía menor » (1992), de Ana María Shua), deception and empuzzlement (« Autólisis » (
Sabine Schlickers
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The article adresses the literary theoretical issue of unreliable narration in first-person fictional narratives. The theoretical discussion is prefaced by an interpretation of T.S. Eliot’s narrative poem “Journey of the Magi”.
Rolf Gaasland
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Dialogues with the Machine, or Ruins of Closure and Control in Interactive Digital Narratives
The interrelations between literary studies, and posthumanism deserve attention beyond the focus on the representation of posthuman identities on the story level.
Julia Hoydis
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This article addresses the question whether unreliable narration, as the concept is understood in the tradition following Wayne Booth’s original definition, can occur in non-fictional stories.
Rolf Gaasland
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Der Beitrag zeigt auf, welche für die Analyse und Interpretation narrativer Unzuverlässigkeit wichtigen kognitiven Operationen Schüler*innen bei der Lektüre von Franz Kafkas Fragment gebliebenem, kurzem Erzähltext Heimkehr, in dem unzuverlässig bzw ...
Ina Henke
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The Reconstruction of Truth through Unreliable Voices in Julian Barnes’ The Sense of an Ending
The present study intends to examine the reconstruction of truth through unreliable narration in Julian Barnes’ The Sense of an Ending (2011). In the process of seeking a fiction in which the narrator is manipulated by the authorial voice to self ...
Somaye Sharify, Nasser Maleki
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The Narrative Premise of Galdos\u27s Lo Prohibido [PDF]
In their critical study of Lo prohibido most scholars make only casual mention of its memoir format, and the fictitious circumstances of its composition are all but ignored. yet this narrative premise has an overall impact on the novel.
Willem, Linda M.
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Tying Memories into a Pattern: William Golding’s Free Fall as Autobiografiction and Trauma Narrative / William Golding’in Serbest Düşüş Romanının Kurgusal Otobiyografi ve Travma Anlatısı Olarak İncelemesi [PDF]
William Golding’s 1959 Free Fall depicts the narrator/character Samuel Montjoy’s retrospective interrogation of his past in his “non-chronological” autobiography to understand his present self. His first-person narration is a journey into his memories
Mustafa Kirca
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This article analyses the forms and functions of unreliable narration in a postmodern neogothic novel and thus tries to view the phenomenon of the unreliable narrator not merely from the point of view of the narratologist intending to devise a ...
Heinz Antor
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