Results 21 to 30 of about 754 (71)

From holism to compositionality: memes and the evolution of segmentation, syntax, and signification in music and language [PDF]

open access: yes, 2015
Steven Mithen argues that language evolved from an antecedent he terms “Hmmmmm, [meaning it was] Holistic, manipulative, multi-modal, musical and mimetic”.
Adkins   +56 more
core   +1 more source

Schenker against the Pack: Controversial Hypermetres in Bach's Prelude No. 1 in C major, The Well‐Tempered Clavier Book I

open access: yesMusic Analysis, Volume 44, Issue 1, Page 3-43, March 2025.
ABSTRACT Is musical analysis meant to guide performance – or to be based on it? Can a Schenkerian analysis of a piece be corroborated by a performance or an arrangement? This article addresses these questions through a well‐known test case – the first prelude of the first book of Bach's Well‐Tempered Clavier, as analysed by Heinrich Schenker in Five ...
NAPHTALI WAGNER, RAM REUVEN
wiley   +1 more source

The Origin of the Dominant: Schoenberg's ‘Strong Progression’ and the Realisation of Implied Virtual Pitches

open access: yesMusic Analysis, Volume 43, Issue 2, Page 247-301, July 2024.
ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley   +1 more source

Sonata Form as Temporal Process: the First Movement of Bruckner's Sixth symphony

open access: yesMusic Analysis, Volume 43, Issue 1, Page 36-76, March 2024.
ABSTRACT The timeworn view that Bruckner's sonata form is a motionless architecture devoid of dynamic processes has long contributed his isolation from the mainstream post‐Beethovenian tradition. Taking inspiration from August Halm's (1914) and Ernst Kurth's (1925) approaches, which were aimed at overcoming this view, this article seeks to elucidate ...
SUNBIN KIM
wiley   +1 more source

Wittgenstein, Modern Music, and the Myth of Progress [PDF]

open access: yes, 2017
Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to ...
Guter, Eran
core  

Kontrastive Grammatik Berndeutsch / Standarddeutsch. Einige ausgewählte Aspekte [PDF]

open access: yes, 2002
The analysis presented in the following is the result of a project-seminar on "Contrastive grammar in Bernese German and High German" with Prof. Dr. Elke Hentschel, in which the preliminary works for a comprehensive contrastive grammar were conducted ...
Burri, Gabriela, Imstepf, Denise
core   +2 more sources

Computer Simulation of Musical Evolution: A Lesson from Whales [PDF]

open access: yes, 2015
Simulating musical creativity using computers needs more than the ability to devise elegant computational implementations of sophisticated algorithms. It requires, firstly, an understanding of what phenomena might be regarded as music; and, secondly, an ...
Jan, Steven
core  

A linguistic model of minimalist syntax composes Tebe Poem [PDF]

open access: yes, 2020
HonorsCognitive ScienceUniversity of Michiganhttp://deepblue.lib.umich.edu/bitstream/2027.42/167886/1/seanpaul ...
Anderson, Sean
core   +1 more source

A surrogate for the soul: Wittgenstein and Schoenberg [PDF]

open access: yes, 2011
This article challenges a widespread assumption, arguing that Wittgenstein and the Austrian composer Arnold Schoenberg had little in common beyond their shared cultural heritage, overlapping social circles in fin-de-ciecle Vienna.
Guter, Eran
core  

An approach to melodic segmentation and classification based on filtering with the Haar wavelet [PDF]

open access: yes, 2013
We present a novel method of classification and segmentation of melodies in symbolic representation. The method is based on filtering pitch as a signal over time with the Haar-wavelet, and we evaluate it on two tasks. The filtered signal corresponds to a
Berger J.   +16 more
core   +2 more sources

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