Perception of works of V. Shklovsky in China
The article is devoted to studying the long-term dissemination and perception of Viktor Shklovsky's works and ideas in China from the 1930s to 2010s, while providing a brief overview of the scientific articles of Chinese Russianists, who played a key ...
Miaowen Liu, Natalia Z. Koltsova
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Fragmentation and Defamiliarization as a Process: V. B. Shklovsky Rereads L. N. Tolstoy [PDF]
The paper examines crucial topics of reflection on the nature of art in L. N. Tolstoy’s works (1890–1900) in the light of their interpretations by V. B. Shklovsky.
Natalia N. Smirnova
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V. B. Shklovsky’s Essay “The Protest of Models”: Comments to the Topic
Essay V. B. Shklovsky “The Protest of Models” is considered in the optics of installation and collage. Corresponding to the principles of graphic unity, the text of the essay is a combination of literary theories that are largely separated from each ...
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Russian Detective Studies in the First Half of the 20th Century [PDF]
The article examines the works of Russian literary critics of the first half of the 20th century, such as K. Chukovsky, V. Bryusov, V. Shklovsky, E. Lann, N. Berkovsky, E. Vinaver, S. Eisenstein.
Petr A. Moiseev
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Two Anatolys and One “Angelica”: On the History of the “Southwestern Literary School” [PDF]
The subject of the paper is the cultural life of Odessa in the 1910s, and the reconstruction of Anatoly Gamma’s biography, who was 21 when he died in the fall of 1918. His creative life was very short, and appeared to be almost a literary hoax.
Alena L. Yavorskaya, Andrei B. Ustinov
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V. B. Shklovsky’s Epistolary Genre Conception Formulated in His Monograph “Pro et Contra: Notes on Dostoevsky” (1957) [PDF]
The paper examines the epistolary genre conception proposed by the founder of Russian formalism V. B. Shklovsky in his monograph “Pro et Contra: Notes on Dostoevsky” (1957). Scientific originality of the study involves identifying correlation between development trends of epistolary prose in the XX century and principles of modernist poetics.
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Россия, Запад и эмиграция в сборнике Зиновия Зиника Эмиграция как литературный прием
One of the predominant motives in Z.Zinyk’s collection of articles “Emigration as a Literary Technique” is the search by the author/narrator of their own self as seen by them from the inside, in the turned over perspective of the Soviet past, and from ...
Ludmiła Szewczenko
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Folklore Expeditions of 2012–2017: Oral Narratives as a Representation of Kalmyk Collective Memory
Introduction. The article analyzes essentials of oral narratives recorded from respondents across Kalmykia in 2012–2017, focusing on how the former tend to articulate and characterize past events, activities of certain individuals and folklore characters
Evdokia E. Khabunova
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Ethnography, Incongruity, History: Soviet Poetic Cinema
Abstract This essay examines the entangling of the poetic and the ethnographic in the art cinema of the 1960s as an indicator of a broader collision of epistemological/discursive regimes in postwar Soviet cinema—and ultimately, a clash between two fundamentally opposed approaches to the discursive production of history.
Elizabeth A. Papazian
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Semantic Complex of Travel in Work of A. G. Bitov
The semantic complex of travel in the work of Andrey Bitov is analyzed. It has been proven that the range of the writer’s travelers is very wide; they correlate with each other. The authors state that, in a broad sense, A. Bitov’s literary travels add up
E. A. Mohammed Adam, A. G. Kovalenko
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