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‘Galvanize the Streets to Life with Joy of Celebration.’ V. E. Meyerhold and Demonstration Decoration

Herald of an archivist, 2018
The avant-garde director V. E. Meyerhold accepted the ideas of the October Revolution of 1917 with enthusiasm. His search for new theatrical forms seemed interconnected with agitation mass art and grandiose festivities on the days of revolutionary holidays in particular.
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At Us the Europe!: The Principle of Transformation in the Performance by V. E. Meyerhold (On the Centenary of the Premiere)

ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА
The agitational sketch by Vs.E. Meyerhold At Us the Europe!, which premiered in June 1924, became a vivid example of a political propaganda play based on a rather poor dramaturgy, but firmly made by theatre means of expression. The mobile stage decorations in the form of movable billboards, three projection screens, actors’ transformations (constant ...
Diana R. Bikkulova, Vera S. Pilgun
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The Director and the Revolution: V. E. Meyerhold's Public Activity at the Mariinsky Theatre at the turn of 1917 and 1918

ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА
At the end of 1917 Vsevolod Meyerhold paid great attention to social work in the Mariinsky Opera Company. Among the anti-Bolshevik actors of the Alexandrinsky Theatre, the direc- tor, who chose the path of rapprochement with representatives of the Soviet government, was in comparative isolation.
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L'Italie dans le regard et dans la poétique de V. E. Meyerhold

2002
I rapporti del regista V.E. Mejerchol'd con l'Italia e gli attori italiani.
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Interpretation of V. E. Meyerhold's Creative Thinking On the Material of the Play “Roar, China!”

Университетский научный журнал, 2020
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Meyerhold, the Musician

2022
Nathan Thomas
exaly  

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