Archpriest Sergiy Ivanovich Chetverikov in the Russian Student Christian Movement and on the Island of Valaam (1927–1940) [PDF]
Having considerable ecclesiastical and pedagogical experience, archpriest S. I. Chetverikov was actively involved in work with Russian youth abroad from the very moment of evacuation from Russia.
Alexander K. Klementiev
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«We are the last mohicans here, brought up in traditions of our native orthodoxy…»: letters of bishop Alexander (Karpin) to prince A. V. Obolensky (1939–1946) [PDF]
This publication presents letters of bishop of the Finnish Archdiocese of the Constantinopolitan Patriarchate, Alexander (Karpin), to the Russian emigrant of the fi rst wave Prince Alexei Vasilyevich Obolensky (1877?1969). The letters are from the period
Tatyana Shevchenko
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Liturgical life of the Finnish Orthodox Church in the time of archbishop Pavel (Olmari) [PDF]
The period of 1961‒1987 was a prominent epoch for the Orthodox Church in Finland, during which major changes in its internal life took place. Archbishop of Karelia and All Finland Pavel (Olmari) played a decisive role in these processes.
Sergey Nikitin
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Contemporary Practices of Church Singing at the Valaam Monastery in Heinävesi
None available for now.
Harri, Jopi
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“The ways of soul, mind and heart to God — no one can intercept them...”: Letters of hegumen Amfilokhiy of Konev to prince A. V. Obolensky, 1926–1934 [PDF]
The publication covers 21 letters by the father-superior of the Konevsky Nativity of the Theotokos Monastery in Finland, hegumen Amphilochius (Kulakov) to the emigrant of the first wave, Prince Alexei Vasilyevich Obolensky in the period 1926-1934.
Tatyana Shevchenko
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Lyubov Dostoevskaya is the Writer's Daughter
Last year, 2019 marked the 150th anniversary of the birth of Fyodor Dostoevsky's eldest daughter, Lyubov, and research about her life, which is very interesting and difficult, can be a modest gift for the anniversary of her birth on the eve of
A.D. Dostoevsky
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Valaam Monastery School of Painting
The article is dedicated to the formation of Valaam’s own school of painting for monks and novices of the monastery. This process consisted of several stages connected to both the historical development of the monastery itself, as well as the expanding influence of the Russian Imperial Academy of Arts. The official establishment of the painting school,
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Valaam as an Oasis of Spirituality and Church Music of Russia Abroad
Тhe topic of the transmission of tradition is understudied in musicology. This article contributes to the field by concentrating on the formation of the singing tradition of the parish of St Sergius in Paris.
Zvereva, Svetlana
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