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Origins and evolutionary trajectories of morbilliviruses in Neotropical bats
Jo WK +12 more
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2022
This chapter points out that certain modernist texts are characterized by what could be called cryptopoiesis: texts endowed with embedded forms not easily observable on a first reading nor even a close second reading. It argues that Joyce’s use of cryptopoiesis in Ulysses elicits a patently posthumanist mode of observation.
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This chapter points out that certain modernist texts are characterized by what could be called cryptopoiesis: texts endowed with embedded forms not easily observable on a first reading nor even a close second reading. It argues that Joyce’s use of cryptopoiesis in Ulysses elicits a patently posthumanist mode of observation.
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2006
Introduction Part I: Legend of the Vampire: Elizabeth MILLER: Getting to know the Undead: Bram Stoker, Vampires and Dracula Hyun-Jung LEE: "One for Ever": Desire, Subjectivity and the Threat of the Abject in Sheridan Le Fanu's Carmilla Lois DRAWMER: Sex, Death and Ecstacy: The Art of Transgression Peter Mario KREUTER: The Name of the Vampire.
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Introduction Part I: Legend of the Vampire: Elizabeth MILLER: Getting to know the Undead: Bram Stoker, Vampires and Dracula Hyun-Jung LEE: "One for Ever": Desire, Subjectivity and the Threat of the Abject in Sheridan Le Fanu's Carmilla Lois DRAWMER: Sex, Death and Ecstacy: The Art of Transgression Peter Mario KREUTER: The Name of the Vampire.
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2022
In view of Nosferatu’s enduring status as a classic, and it significant impact at the time of its production and release, this chapter argues that the legacy of the film on continuing representations of the vampire of Western cinema – especially in our twenty-first century – are clearly visible in two particular aspects of the undead creature’s central
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In view of Nosferatu’s enduring status as a classic, and it significant impact at the time of its production and release, this chapter argues that the legacy of the film on continuing representations of the vampire of Western cinema – especially in our twenty-first century – are clearly visible in two particular aspects of the undead creature’s central
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Archives of General Psychiatry, 1964
Vampirism is defined as the act of drawing blood from an object, (usually a love object) and receiving resultant sexual excitement and pleasure. The blood may be drawn by various means such as biting, cutting, etc. The sucking or drinking of the blood from the wound is often an important part of the act but not an essential one.
R L, VANDENBERGH, J F, KELLY
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Vampirism is defined as the act of drawing blood from an object, (usually a love object) and receiving resultant sexual excitement and pleasure. The blood may be drawn by various means such as biting, cutting, etc. The sucking or drinking of the blood from the wound is often an important part of the act but not an essential one.
R L, VANDENBERGH, J F, KELLY
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Gene losses in the common vampire bat illuminate molecular adaptations to blood feeding
Science Advances, 2022Moritz Blumer +2 more
exaly