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Venice, Venice, and Venice: Three Realities of the European City
2004Venice is the perfect prototype of the threefold reality of the European city: the authentic European city, the fake European city, and the virtual European city. In fall 2002, the mayor of Venice went to Japan to promote his city. Venice, like most European cities, suffers from an eroding tax base, so obviously, he addressed Japanese tourist ...
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The history and historiography of Jewish Venice centers on the era of the Ghetto (1516–1797), the Jewish quarter that saw its name become a global metaphor of segregation. Most of the history of the Jews in Venice before the Ghetto took place in the mainland territories of the Republic of Venice, since they were allowed to conduct their business in the
Annie Richardson, Catherine Dille
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Annie Richardson, Catherine Dille
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Gaspara in Venice, Gaspara and Venice
2023Gaspara Stampa visse nel periodo di maggior fortuna dell’editoria veneziana, quando i libri e la cultura si diffondevano anche a gruppi sociali fino a quel momento nella maggior parte esclusi dalla conoscenza diretta dei testi. Sottolineando il fenomeno, l’articolo si incentra sulle frequentazioni veneziane di Gaspara Stampa, che godeva fama di ottima ...
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2012
This book is a sweeping historical portrait of the floating city of Venice from its foundations to the present day. Joanne M. Ferraro considers Venice's unique construction within an amphibious environment and identifies the Asian, European and North African exchange networks that made it a vibrant and ethnically diverse Mediterranean cultural centre ...
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This book is a sweeping historical portrait of the floating city of Venice from its foundations to the present day. Joanne M. Ferraro considers Venice's unique construction within an amphibious environment and identifies the Asian, European and North African exchange networks that made it a vibrant and ethnically diverse Mediterranean cultural centre ...
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2001
Abstract The procurators of St Mark’s had made their choice with great speed. Usually they took their time in choosing a new maestro di cappella, with an interregnum of six months or more. They must have had unusual confidence in Monteverdi’s reputation and demeanour.
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Abstract The procurators of St Mark’s had made their choice with great speed. Usually they took their time in choosing a new maestro di cappella, with an interregnum of six months or more. They must have had unusual confidence in Monteverdi’s reputation and demeanour.
openaire +1 more source