Results 71 to 80 of about 179 (147)

Deserta Ecofolie. 2025 Venecia, Italia. Prototype of a Minimal Dwelling in the Atacama Desert and Beyond

ARQ
Deserta Ecofolie reimagines architecture’s origin myth through the minimal “ecotechnical object.” Installed at the 2025 Venice Architecture Biennale, this self-sufficient prototype uses low-tech systems to challenge extractivist views of the Atacama ...
Pedro Ignacio Alonso, Pamela Prado
doaj   +1 more source

Aesthetic resistance: publicness, potentiality, and plexus. [PDF]

J Political Power, 2023
Wulia T.
europepmc   +1 more source

The role of the body in the experience of installation art: a case study of visitors' bodily, emotional, and transformative experiences in Tomás Saraceno's "<i>in orbit</i>". [PDF]

Front Psychol, 2023
Kühnapfel C, Fingerhut J, Pelowski M.
europepmc   +1 more source

Latin America at the Venice Biennale: Histories of Unrealised National Pavilions

OBOE
The article reconstructs the histories of Latin American national pavilions, which, between 1948 and 1972, had the opportunity to build a distinctly national architecture at the Giardini but ultimately did not.
Anita Orzes
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3D Printed Formwork for Concrete: State-of-the-Art, Opportunities, Challenges, and Applications. [PDF]

3D Print Addit Manuf, 2022
Jipa A, Dillenburger B.
europepmc   +1 more source

Body and the Senses in Spatial Experience: The Implications of Kinesthetic and Synesthetic Perceptions for Design Thinking. [PDF]

Front Psychol, 2022
Kwon J, Iedema A.
europepmc   +1 more source

The Scope of Architectural Contemporaneity [PDF]

The first Venice Architecture Biennale offers a particular lens through which to examine how architectural reference shapes contemporaneity, demonstrating how exhibitions can reconstitute the discipline both in its practice and theoretical discourse.
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Rather Transitional than Transnational: The “meta-pavilions” of Germany and Russia at the 1993 Venice Biennale

OBOE
The 45th International Art Exhibition held in 1993 represents a watershed in the history of the Venice Biennale. This was due to the transitional historical moment from the end of the Cold War to the onset of globalization, but also to the contribution ...
Matteo Bertele
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Quasi-Objects of Art-Architecture in Exhibit: Revisiting Mulino Stucky Project As a Transversal Exhibition in The Venice Biennale of 1975

Livenarch+ Journal
In the late 1960s and 70s, architects and artists blurred disciplinary boundaries, with architects exploring installation as a form of spatial production and artists using architectonic forms.
Bilge Beril Kapusuz Balcı
doaj  

Something there is that doesn’t love a wall… (Notes on the 16th Venice Architecture Biennale 2018)

Judaic-Slavic Journal, 2019
The article reviews two exhibitions presented at the Israeli and German pavilions at the 2018 Venice Architecture Biennale,where the 16th International Architecture Exhibition was themed and titled as FREESPACE.The Manifesto,written by Yvonne Farrell and Shelley McNamara, the chief curators of the Biennale, proclaimed, among other things, that ...
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