Results 121 to 130 of about 367 (180)

Cosmetic artistry [PDF]

BMJ, 2007
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26. Czechoslovakia at the Venice Biennale in the 1950s

, 2016
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Challenging Nationalisms at the Venice Biennale

Journal of Curatorial Studies, 2020
Abstract
Karen Brown, Catherine Spencer
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Reflections on the 39th Venice Biennale

Art Journal, 1981
It has been a rather long time since critics have had much good to say about the Venice Biennale. The cancellation of the exhibition in 1974 seems to have dampened everyone's spirits; but even before that date writers bemoaned a loss of excitement and party atmosphere during exhibition summers.
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Between Kiev and Venice The cognitive warfare and the Biennale of Venice

Security science journal, 2022
The Russia-Ukraine conflict is witnessing the intensive use of information warfare and psychological warfare which are part of the cognitive warfare. The main goal of cognitive warfare is to wage a war on what an enemy community thinks, loves or believes in, by altering its representation of reality and the art is an important asset and domain of the ...
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Venezia To Be or Not: The 2013 Venice Biennale

Public, 2013
Abstract
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Art on the lagoon: Eliasson at the Biennale of Venice

2013
The Biennales of Venice are not limited to exhibitions in national pavilions. Every year artists and architects choose to confront the site and more specifically, the lagoon. In the edition of 2005, the artist O. Eliasson proposed an installation (Your black horizon, 2005) where the visitors left the wide expanse and intense light of the lagoon to ...
SZANTO, CATHERINE, GAY, FABRIZIO, BALLARIN, MATTEO   +2 more
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Ireland's Pavilion at the Venice Biennale, Arsenale, Venice

2014
Venice Biennale - Irish Pavilion (2004). Venice, Italy. Includes: text, ill, plans, model. Special mention ; The installation deals with the Reformatory in Letterfrack, Co Galway, which the architects converted into a furniture ...
O'Donnell, Sheila, Tuomey, John
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1970s Feminisms at the Venice Biennale

This paper challenges the prevailing view that Materializzazione del linguaggio (Materialization of Language, 1978), curated by Mirella Bentivoglio, was the first all-women show at the Venice Biennale. By integrating previous studies on the Spazio aperto (Open Space) venue and archival findings on earlier feminist projects – including film screenings ...
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