Results 1 to 10 of about 7,742 (109)

Afro-deutsche Frauen in Bewegung: Von May Ayim bis Black Lives Matter

open access: yesOpen Gender Journal, 2021
Unter Einbeziehung zahlreicher unterschiedlicher und teils unveröffentlichter Quellen aus Privatarchiven rekonstruiert Tiffany N. Florvil die Geschichte der modernen Schwarzen deutschen Bewegung.
Sandra Folie
doaj   +1 more source

Fink, Dagmar. Cyborg werden. Möglichkeitshorizonte in feministischen Theorien und Science Fictions. transcript, 2021.

open access: yesZeitschrift für Fantastikforschung, 2022
Review of Cyborg werden. Möglichkeitshorizonte in feministischen Theorien und Science Fictions by Dagmar Fink.
Dunja Brötz
doaj   +2 more sources

Beyond the uncanny: Shirley Jackson’s poetics of alienation

open access: yesOrbis Litterarum, Volume 77, Issue 4, Page 217-237, August 2022., 2022
Abstract Shirley Jackson is one of the most important authors of the uncanny of the twentieth century. Forgotten after her death in 1965, she is currently being rediscovered. This paper attributes her mastery to the depiction and evocation of extreme mental states, especially alienation and estrangement from oneself.
Dominic Angeloch
wiley   +1 more source

„Arena für alle“ – zur schwedischen Bibliotheksdebatte

open access: yeso-bib. Das offene Bibliotheksjournal, 2022
Das schwedische Bibliotheksgesetz von 2014 ist bis heute ein wichtiger Bezugspunkt für die kontinuierliche Aushandlung des öffentlichen Auftrags und der demokratiefördernden Funktionen der Bibliotheken.
Antje Wischmann
doaj   +1 more source

Lykaon, der Wolfsmann, und Mary Shelleys Frankenstein, or, The Modern Prometheus

open access: yesOrbis Litterarum, Volume 76, Issue 2, Page 67-85, April 2021., 2021
Viele der rezenten Studien zur Ästhetik des Monströsen nehmen auf Michel Foucaults Vorlesungsreihe Les anormaux Bezug, in der er u. a. der diskursiven Transformation des Monsters von einem somatischen hin zu einem moralischen Abweichungsphänomen nachgeht.
Thomas Emmrich
wiley   +1 more source

Sexy Schlitten, teuflische Trucks und verrückte Vehikel. Automobile in fantastischen Spielfilmen und Serien

open access: yesZeitschrift für Fantastikforschung, 2020
Since its invention, the automobile has been treated in fantastic literature and films. The article analyzes how cars are dealt with in audio-visual media since the 1970s (with a focus on the 21st century).
Alexandra Müller, Laura Zinn
doaj   +2 more sources

DAS SUBJEKT DER LYRIK ODER: FÜR EINE PHILOLOGIE DER DUNKELHEIT – LYRIK ALS (EIN) PARADIGMA DER MODERNE

open access: yesGerman Life and Letters, Volume 73, Issue 4, Page 521-540, October 2020., 2020
Abstract When Hölderlin argues in favour of modernity in the Querelle des Anciens et des Modernes, he rejects the claim that the highest form of art is tragedy and proclaims the primacy of poetry. However, Hölderlin frames a very different concept of poetry from Hegel, for instance, one of the most prominent representatives of the notion of ...
Thomas Emmrich
wiley   +1 more source

Bidlo, Oliver et al., Hg. Fantastic Animals, Animals in the Fantastic. Fastitocalon. Studies in Fantasticism Ancient to Modern VI , 1 & 2 (2016)

open access: yesZeitschrift für Fantastikforschung, 2020
Review of Fantastic Animals, Animals in the Fantastic edited by Oliver Bidlo, Fanfan Chen, Thomas Honegger and Frank Weinreich.Publisher’s note: This article was originally published as part of issue 8.1.
Laura Zinn
doaj   +2 more sources

CECÍLIA MEIRELES AND GABRIELA MISTRAL AS READERS OF RABINDRANATH TAGORE: NEGOTIATING GENDER BETWEEN LATIN AMERICA AND INDIA

open access: yesRevista Brasileira de Literatura Comparada, 2023
This article depicts the influence of the Bengali author Rabindranath Tagore on two Latin American women writers, both part of the Modernist movement: the Chilean Nobel laureate (1945) Gabriela Mistral, and the Brazilian Cecília Meireles.
Marília Jöhnk
doaj  

Editorial: The Ghetto as Holocaust Apparatus

open access: yesApparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2016
Table of contents image taken by Ivan Frič during the filming in summer 1944 in Theresienstadt. Courtesy Ivan Frič Archive, published on the DVD Truth and Lies 2013.
Natascha Drubek
doaj   +1 more source

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