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Versification

open access: yes, 2019
Abstract This chapter describes the chief features of versification in poetry written in the Middle High German Classical period (c.1170–c.1230) and in the remainder of the Middle High German period. The four parts of the chapter treat metre (anacrusis, interior of the line, cadence), rhyme (types of rhyme, rhyme schemes), lines of verse
Howard Jones, Martin H. Jones
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Versification

2015
Abstract To a nineteenth-century opera composer, the related terms of versification and prosody implied not only a set of rules to which to adhere but a set of rhetorical choices with distinct dramatic consequences. This chapter discusses samples from the French, German, and Italian repertory, focusing on Verdi’s I due Foscari, Les ...
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Nebrija on Versification

PMLA/Publications of the Modern Language Association of America, 1957
The most pretentious treatise on Castilian versification before the Golden Age is the “Libro segundo en que trata de la prosodia i sîlaba” of Antonio de Nebrija's Gramdtica castellana, first published in 1492. It is written by a scholar—not a poet, though Nebrija, Spain's first great humanist, did write some verses—a scholar whose classic learning ...
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An Odyssey of Versification

Russian Studies in Literature, 1996
By now more scholarship has been produced about the poems of Joseph Brodsky than about all the rest of the poetry of our era put together. I do not intend to summarize what has been said or to say anything substantially new, but as correctly as possible to formulate a certain specific position.
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On Iriarte's Versification

PMLA/Publications of the Modern Language Association of America, 1952
Tomás de iriarte (1750-91) is often called upon to furnish early or embryonic examples of modern metric forms because he, perhaps more than any other writer of his time, consciously attempted to exploit the wealth of Spanish verse and strophe arrangements then known and to enrich the language with new forms and combinations.
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