Results 161 to 170 of about 17,978 (216)
Some of the next articles are maybe not open access.
2023
Abstract Vibrato is a technique used by many musicians to enhance musical expression. Chapter 29 explores its application on the saxophone.
Allison D. Adams, Brian R. Horner
openaire +2 more sources
Abstract Vibrato is a technique used by many musicians to enhance musical expression. Chapter 29 explores its application on the saxophone.
Allison D. Adams, Brian R. Horner
openaire +2 more sources
2022
In King’s Vibrato Maurice O. Wallace explores the sonic character of Martin Luther King Jr.’s voice and its power to move the world. Providing a cultural history and critical theory of the black modernist soundscapes that helped inform King’s vocal timbre, Wallace shows how the qualities of King’s voice depended on a mix of ecclesial architecture and ...
+4 more sources
In King’s Vibrato Maurice O. Wallace explores the sonic character of Martin Luther King Jr.’s voice and its power to move the world. Providing a cultural history and critical theory of the black modernist soundscapes that helped inform King’s vocal timbre, Wallace shows how the qualities of King’s voice depended on a mix of ecclesial architecture and ...
+4 more sources
Journal of Voice, 2003
The goal of the present study was to document the acoustic changes that occur as singers attempt to increase or decrease their vibrato rate to match target stimuli. Eight advanced singing students produced vowels with vibrato in three registers, both naturally and while attempting to match faster or slower rate stimuli.
Christopher, Dromey +2 more
exaly +3 more sources
The goal of the present study was to document the acoustic changes that occur as singers attempt to increase or decrease their vibrato rate to match target stimuli. Eight advanced singing students produced vowels with vibrato in three registers, both naturally and while attempting to match faster or slower rate stimuli.
Christopher, Dromey +2 more
exaly +3 more sources
Time-scaling vibrato tones while preserving vibrato rate
The Journal of the Acoustical Society of America, 2017Elongation of vibrato tones while preserving vibrato rate is a non-trivial problem in audio processing. It is well known that linear time-scaling in the time domain simply translates duration in lockstep with pitch. In the time/frequency domain, frequencies are preserved under linear time-scaling, but vibrato rates are not.
Yang Shi, James W. Beauchamp
openaire +1 more source
Vibrato Changes Following Imagery
Journal of Voice, 2015This study investigated acoustic change in singers' vibrato following imagery and non-imagery tasks.The study used a fully randomized cross-over (six conditions × two times) block design, in which each singer received each intervention in random order. Data were analyzed using the general linear model (GLM).
Lynda, Moorcroft +2 more
openaire +2 more sources
The Journal of the Acoustical Society of America, 2014
In an effort to improve the quality of synthetic vibrato many musical instrument tones with vibrato have been analyzed and frequency-vs-time curves have been parameterized in terms of a time-varying offset and a time-varying vibrato depth. Results for variable mean F0 and instrument are presented.
openaire +1 more source
In an effort to improve the quality of synthetic vibrato many musical instrument tones with vibrato have been analyzed and frequency-vs-time curves have been parameterized in terms of a time-varying offset and a time-varying vibrato depth. Results for variable mean F0 and instrument are presented.
openaire +1 more source
1996
Abstract Vibrato is a measured fluctuation in the sound or tone effected by a change in air pressure. The effect is of pulsation or vibration, but because what we hear is not exactly what actually happens, it is not easy to define. For one thing, many people find it difficult if not impossible to distinguish the vibrato component from
openaire +1 more source
Abstract Vibrato is a measured fluctuation in the sound or tone effected by a change in air pressure. The effect is of pulsation or vibration, but because what we hear is not exactly what actually happens, it is not easy to define. For one thing, many people find it difficult if not impossible to distinguish the vibrato component from
openaire +1 more source
Journal of Voice, 1987
Coleman: What is vocal vibrato, where is it made, and do you have control over it? Rothman: I am not yet convinced what the hierarchy of importance is among the three parameters. We tend to focus in on the vibrato pulse, which I am convinced is not the important part of vibrato.
Robert F. Coleman +5 more
openaire +1 more source
Coleman: What is vocal vibrato, where is it made, and do you have control over it? Rothman: I am not yet convinced what the hierarchy of importance is among the three parameters. We tend to focus in on the vibrato pulse, which I am convinced is not the important part of vibrato.
Robert F. Coleman +5 more
openaire +1 more source
2002
Abstract There are many theories. Extensive measurements1 show that the diaphragm has no role in vibrato. Since you cannot produce vibrato with your lips or your chin, its mechanism must initiate somewhere in the throat area. This does not mean that it needs to be of the nanny goat variety, very fast and very narrow.
openaire +1 more source
Abstract There are many theories. Extensive measurements1 show that the diaphragm has no role in vibrato. Since you cannot produce vibrato with your lips or your chin, its mechanism must initiate somewhere in the throat area. This does not mean that it needs to be of the nanny goat variety, very fast and very narrow.
openaire +1 more source