Results 31 to 40 of about 17,978 (216)
Vibrato in Eighteenth Century Orchestras [PDF]
A rebuttal of Neumann, The vibrato controversy (see RILM 8965). The published writings of Galeazzi (1791-96), Geminiani (1751), Robert Bremner (1777), Carl Friedrich Cramer (1783), L. Mozart (1756), and the correspondence of W.A.
Zaslaw, Neal
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Percepční hodnocení vlastností pěveckého provedení koloraturní árie
The study presents the results of a controlled auditory evaluation of two parts of a W. A. Mozart Non mi dir aria from Don Giovanni. The aria was selected based on a higher technical difficulty of the role which includes both dramatic and difficult ...
Marek Frič +2 more
doaj +1 more source
ABSTRACT Spasmodic dysphonia is a laryngeal dystonia that can present as adductor, abductor, or mixed types, with or without tremor. The etiology is not understood fully. Comprehensive evaluation is required to establish the diagnosis. Treatments include voice therapy, medications, botulinum toxin injection, laryngeal surgery, deep brain stimulation ...
Aaron J. Jaworek, Robert T. Sataloff
wiley +1 more source
We note that the intelligibility of vowels is reduced at high pitches, and propose that decreased decoding of vowels may partially account for the reported findings. Analysis of performance as a function of pitch is recommended.
Johan Sundberg, Sten Ternström
doaj +1 more source
Brazilian favelas (shantytowns) are often considered as marginalized urban territories that must be better integrated into the nation‐state to obtain legitimacy under the Rule of Law. Based on years of fieldwork in one of the largest shantytowns in Rio de Janeiro (Rocinha), this article suggests that the absence of a (normative) liberal apparatus in ...
Moises Lino e Silva
wiley +1 more source
This study aims to analyze, Technique of Singing Diana Damrau oin Opera The Magic Flute Aria Queen Of The Night Works Wolfgang Amadeus Mozart. The purpose of this research is to know Technique of Singing, how to interpret and artistic overall Diana ...
DEDI BENSAMAS LUMBAN GAOL
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Porovnání vlastností hlasu klasických a popových zpěvaček
The aim of this work is to compare perceptual, acoustic and electroglottographic features of voice within six opera female singers and five pop female singers.
Marek Frič +2 more
doaj +1 more source
Some Observations Concerning Baroque and Modern Vibrato [PDF]
Supports a narrow and ornamentally used vibrato in Baroque music, and the basic conclusions of Greta Moens-Haenen in Das Vibrato in der Musik des Barock (RILM 88-8038), adding personal observations and comparisons of present performance styles ...
Gable, Frederick Kent
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ABSTRACT Conducting online, controlled laboratory, and more realistic laboratory experiments, this study investigates how the connotative congruency between instrumental timbre and visual design affects consumer evaluation and choice behavior.
Tsutomu Sunaga +3 more
wiley +1 more source
La enseñanza del vibrato en el saxofón: análisis de las percepciones pedagógicas de los docentes
El artículo aborda las discrepancias en la enseñanza del vibrato entre profesores de saxofón en el Conservatorio Profesional de Música “María de Molina”.
Elena Moreno Fuentes +1 more
doaj +1 more source

