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Video-4-Video: using video for searching, classifying and summarising video
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1999 IEEE Third Workshop on Multimedia Signal Processing (Cat. No.99TH8451), 1999
We present a new video summarization procedure that produces a dynamic (video) abstract of the original video sequence. Our approach relies on an adaptive nonlinear sampling of the video. The local sampling rate is directly proportional to the amount of visual activity in localized sub-shot units of the video.
Jeho Nam, Ahmed H. Tewfik
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We present a new video summarization procedure that produces a dynamic (video) abstract of the original video sequence. Our approach relies on an adaptive nonlinear sampling of the video. The local sampling rate is directly proportional to the amount of visual activity in localized sub-shot units of the video.
Jeho Nam, Ahmed H. Tewfik
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2019 IEEE Winter Conference on Applications of Computer Vision (WACV), 2019
This paper considers the problem of video inpainting, i.e., to remove specified objects from an input video. Many methods have been developed for the problem so far, in which there is a trade-off between image quality and computational time. There was no method that can generate high-quality images in video rate.
Rito Murase +2 more
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This paper considers the problem of video inpainting, i.e., to remove specified objects from an input video. Many methods have been developed for the problem so far, in which there is a trade-off between image quality and computational time. There was no method that can generate high-quality images in video rate.
Rito Murase +2 more
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Data hiding for video-in-video
Proceedings of International Conference on Image Processing, 2002We introduce a scheme for hiding high bit-rate supplementary data, such as secondary video, into a digital video stream by directly modifying the pixels in the video frames. The technique requires no separate channel or bit interleaving to transmit the extra information.
Mitchell D. Swanson +2 more
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Video summarization for event-centric videos
Neural Networks, 2023Video summarization has long been used to ease video browsing and plays a more crucial role with the explosion of online videos. In the context of event-centric videos, we aim to extract the corresponding clips of more important events in the video.
Qingwen Li +3 more
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An Evaluation of Video-to-Video Face Verification
IEEE Transactions on Information Forensics and Security, 2010Manuscript received September 30, 2009; revised August 18, 2010; accepted August 23, 2010. Date of publication September 20, 2010; date of current version November 17, 2010. The work of N. Poh was supported by the Advanced Researcher Fellowship PA0022 121477 of the Swiss NSF. The work of N. Poh, C. H. Chan, and J. Kittler was supported by the EU-funded
Norman Poh +13 more
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Video recordings and video polysomnography
2011Publisher Summary Video polysomnography (VPSG) combines simultaneous polysomnography (PSG) and video- electroencephalography (EEG) to evaluate patients with nocturnal events. This technique has several advantages over routine PSG, including the ability to analyze behavior, correlate behavior with neurophysiologic parameters, and detect epileptiform ...
Nancy, Foldvary-Schaefer, Beth, Malow
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Proceedings of the 27th annual conference on Computer graphics and interactive techniques - SIGGRAPH '00, 2000
This paper introduces a new type of medium, called a video texture, which has qualities somewhere between those of a photograph and a video. A video texture provides a continuous infinitely varying stream of images. While the individual frames of a video texture may be repeated from time to time, the video sequence as a whole is never repeated exactly.
Arno Schödl +3 more
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This paper introduces a new type of medium, called a video texture, which has qualities somewhere between those of a photograph and a video. A video texture provides a continuous infinitely varying stream of images. While the individual frames of a video texture may be repeated from time to time, the video sequence as a whole is never repeated exactly.
Arno Schödl +3 more
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