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Berlin Remix – A Computationally Generative “City Film” Artwork
Digital Studies, 2020 Berlin Remix is a computationally generative artwork that creates and presents a series of short films re-edited and re-mixed from the archetypal “City Film” documentary Berlin: Symphony of a Great City (Ruttman 1927).
Jim Bizzocchi
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Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums
21: Inquiries into Art, History, and the Visual, 2022 The critical examination of the art museum is an important theme in contemporary video art. In contrast to museum films with an educational focus, video art offers a great deal of freedom in the handling, presentation, and reconsideration of collections.
Stefanie Stallschus
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Contemporaneity: Historical Presence in Visual Culture, 2014 For more information on this video, see the artist's statement in this issue of Contemporaneity.
Gelare Khoshgozaran
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Likewise, as Technical Experts, But Not (At All) by Way of Culture (2012-2013).
Contemporaneity: Historical Presence in Visual Culture, 2014 For more information on this video, see Gabrielle Gopinath's "Skin Deep: Surfacing with Leigh-Ann Pahapill," included in this edition of Contemporaneity.
Leigh-Ann Pahapill
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Frontiers in Psychology, 2021 Artificial intelligence (AI) technology is innovatively combined with participatory video for artistic creation and communication to improve the enthusiasm of art lovers for artistic creation and communication and expand the application range of AI ...
Xixia Liu, Musen Liu
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DeepStory: Video Story QA by Deep Embedded Memory Networks [PDF]
, 2017 Question-answering (QA) on video contents is a significant challenge for achieving human-level intelligence as it involves both vision and language in real-world settings.
Choi, Seong-Ho +3 more
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Pętla obrazów. Wideo według Mariny Abramović
Images, 2009 The Loop of Images. Video According to Marina Abramowić The connection between video art and performance art has been inseparable since 1967, when the first commercial camera Sony Portapak appeared on the American market.
Michał Krawczak
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Icy Water, Acid, and Free Forests: The New Ecocinema from East-Central Europe
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2020 Lukas Brasiskis and Masha Shpolberg interview three emerging filmmakers/video artists about the climate crisis, the power of the moving image, and the rich but still unmined environmental history of East-Central Europe.
Lukas Brasiskis, Masha Shpolberg
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A reduced-reference perceptual image and video quality metric based on edge preservation [PDF]
, 2012 In image and video compression and transmission, it is important to rely on an objective image/video quality metric which accurately represents the subjective quality of processed images and video sequences.
AL Yarbus +27 more
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Relacije umetnosti i video igara / Relations of Art and Video Games
AM: Art + Media, 2012 When discussing the art of video games, three different contexts need to be considered: the 'high' art (video games and the art); commercial video games (video games as the art) and the fan art.
Manojlo Maravić
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