‘The political reception of the Vienna School: Josef Strzygowski and Serbian art history’ [PDF]
This article considers the impact of the work of Josef Strzygowski in Serbia and, after 1918, Yugoslavia. Although he was a controversial figure in Austria, his work was very positively received in Serbian intellectual and political circles.
Nenad Makuljević
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Identity built on myth. Fact and fiction in the foundational narrative of the ‘Cracow School of Art History’ and its relations to Vienna [PDF]
Widely acknowledged as the creator of the first coherent model of art historical practice and theory in Poland, Marian Sokolowski played an essential role in shaping the identity of the discipline.
Magdalena Kunińska
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The Vienna School of Art History and (Viennese) Modern Architecture [PDF]
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture, and also traces the basic premises of the Vienna School in their views.
Jindřich Vybíral
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Ian Verstegen, The New Vienna School of Art History Fulfilling the Promise of Analytic Holism
Verstegnova študija t. i. nove dunajske umetnostnozgodovinske šole iz tridesetih let 20. stoletja ni povsem običajna historiografska predstavitev ključnih predstavnikov t. i.
Rebeka Vidrih
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Everyday life at the Dvořák Seminar, on the basis of contemporary sources. Addenda to the history of the Vienna School of Art History [PDF]
Discussing the relationship of Max Dvořák and Johannes Wilde on the previous study (János (Johannes) Wilde and Max Dvorák or, can we speak about the Budapest School of art history), I proposed – indirectly – the provocative thesis that “there is no ...
Csilla Markója
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Oldřich Stefan’s amplification of the Vienna School of Art History [PDF]
The study interprets the art historical method developed by Oldřich Stefan in the late 1930s and early 1940s as an amplification of the method of the Vienna School of art history. Stefan was professionally an architect, but during his studies in 1920s he
Tomáš Murár
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Fritz Novotny and the new Vienna school of art history – an ambiguous relation [PDF]
Fritz Novotny was repeatedly described as a member of the New Vienna School. In my paper I argue that Novotny’s relation to this group is rather ambiguous because Novotny, in spite of all similarities in the descriptions of formal qualities, had a very ...
Agnes Blaha
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Julius von Schlosser, 'The Vienna school of the history of art (1934)' [PDF]
Julius v. Schlosser, The Vienna School of the History of Art - Review of a Century of Austrian Scholarship in German Including a list of members edited by Hans Hahnloser.
Karl Johns
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Continuity and discontinuity in the Czech legacy of the Vienna School of Art History [PDF]
This article considers the development of Czech art history from the late nineteenth century to the present. It argues that while Czech art historians were anxious to establish a distinctive art historical voice in Europe, they were led a symbiotic ...
Milena Bartlová
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The influence of the Vienna School of Art History on Soviet and post-Soviet historiography: Bruegel’s case [PDF]
This essay looks at the longstanding debates over the influence of the Vienna School of Art History on Soviet and post-Soviet Art History. From the beginning, Soviet Art History vacillated between orthodox Marxism, its materialism and approach to culture
Stefaniia Demchuk
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