Results 41 to 50 of about 105 (87)
Venta de cuerdas de vihuela en Granada (1542)
Un protocolo notarial de Granada pone de manifiesto que el gremio de maestros de hacer cuerdas de vihuela exportaba parte de su producción artesanal a otros lugares de la Corona de Castilla en 1542, en este caso concreto a Sevilla, ciudad en la que no hemos localizado ningún artífice de este oficio durante la primera mitad del siglo XVI.
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La Vihuela de Mano y Sus Descendientes
La Vihuela de Mano y Sus DescendientesP その名称はfiedelに由来し、その楽器としての構造は,直接にはCantigas de Santa Mariaに画がかれたGuitarra Latinaに由来するVihuela de manoについては,当紀要第1号(1968)において述べた。この楽器は当時民間に行れていた4弦のGuitarra del puebloに2弦を加えたより大型のものであり,音楽家のより高度な要求にこたえるものであった。Vihuela de manoはスペインにおいて盛行した。しかし,やがてより大きな音楽的可能性を持った楽器が移入されるにおよび,その地歩を失ない,忘れ去られた。以後は最早やこの楽器のために作曲されまた演奏されることもない。一方,民間の楽器であったGuitarra del ...
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Vokale Gattungen in der Vihuela-Musik des 16. Jahrhunderts
troja. Jahrbuch für Renaissancemusik, 2020 openaire +2 more sources
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1982
Taken from the last printed book for vihuela, Daza's Il Parnasso (1576), these twenty-two charming and eloquent fantasias constitute this Spanish composer's only surviving original compositions of these pieces. Of these pieces, eighteen are condensed imitative works; four are written in a florid idiomatic style.
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Taken from the last printed book for vihuela, Daza's Il Parnasso (1576), these twenty-two charming and eloquent fantasias constitute this Spanish composer's only surviving original compositions of these pieces. Of these pieces, eighteen are condensed imitative works; four are written in a florid idiomatic style.
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Guitar and vihuela: An annotated bibliography
Musicology Australia, 1987Abstract Bibliographies are the desk-top companions of any serious researcher: a reliable and clearly laid-out bibliography facilitates the time-consuming tasks that are the scholar's frequent burden. Annotated bibliographies are even more helpful, as they permit rapid discrimination between sources of varying degrees of relevance.
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The Renaissance Vihuela's Impact on Contemporary Classical Guitar Education
Springer Series in Design and InnovationThe article presents a compelling argument for the revival of the vihuela’s repertoire in modern classical guitar pedagogy. This resurgence is not merely a nod to historical curiosity but a pedagogical strategy that enriches stu- dents’ musical education by bridging technical and expressive skills with a deep understanding of musical heritage.
Pedro Rodrigues
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