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Reading Viktor Shklovsky's "Art as Technique" in the Context of Early Cinema

, 2019
This chapter argues that Viktor Shklovsky’s key text “Art as Technique”, which revolves around the famous key term ostran(n)enie (“making strange”), points at two related phenomena: (1) the way in which the early film show exploited the expressive potential of the new cinema machine to make humans and objects look “strange” (if not “grotesque”), as ...
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Returning the reality: Viktor Shklovsky & Susan Sontag [PDF]

Vestnik Tomskogo gosudarstvennogo universiteta, 2018
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“A HISTORY OF THE NOVEL / ROMANCE”: VIKTOR SHKLOVSKY IN THE MOSCOW LINGUISTIC CIRCLE

Studies in Theory of Literary Plot and Narratology, 2018
A. Ustinov, I. Pilshchikov
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FROM POETICS TO CULTURAL PRODUCTION: VIKTOR SHKLOVSKY’S RHETORICAL PROJECT

Texts and History Journal of Philological Historical and Cultural Texts and History Studies
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Viktor Shklovsky, Bronislaw Malinowski, and the invention of a narrative device

HAU: Journal of Ethnographic Theory, 2020
The advent of Malinowski’s ethnographic theory is inscribed in a wider modernist environment, which set the ground for the emergence of new epistemological projects.
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Viktor Shklovsky

Grand Street, 1988
Henry Gifford
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Viktor Borisovich Shklovsky, or Fish Turned Ichthyologist

Books Abroad, 1973
Ewa M Thompson
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Viktor Shklovsky (1893–1984)

2019
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Viktor Shklovsky: The Soviet School of Acting

2012
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