Results 161 to 170 of about 291,953 (210)
Live music in the intensive care unit - a beautiful experience. [PDF]
Dreyer P, Thorn L, Lund TH, Bro ML.
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Arthrocnemum Moq.: Unlocking Opportunities for Biosaline Agriculture and Improved Human Nutrition. [PDF]
Ramírez E +2 more
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The Musical Times, 1992
Abstract The music of the prolific Heitor Villa-Lobos (1887-1959) typifies Brazil, in its diversity, spirit of racial amalgam, and awesome beauty. Through the sheer quantity of his output, his original use of folkloric material, and the striking accessibility of his scores, Villa-Lobos has become the best-known and most significant Latin
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Abstract The music of the prolific Heitor Villa-Lobos (1887-1959) typifies Brazil, in its diversity, spirit of racial amalgam, and awesome beauty. Through the sheer quantity of his output, his original use of folkloric material, and the striking accessibility of his scores, Villa-Lobos has become the best-known and most significant Latin
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2019
Fass promotes the station, last few lyrics of "San Francisco Bay Blues", Dr. Ruth in the studio takes calls, an unknown man tells Fass about his adventures in Nicaragua, Fass promotes the station, "Ramblin' Boy" by Tom Praxton, cassette player breaks, "Clean Cut Kid" by Bob Dylan, interview with Jimmy Breslin about Parking Violations Bureau ...
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Fass promotes the station, last few lyrics of "San Francisco Bay Blues", Dr. Ruth in the studio takes calls, an unknown man tells Fass about his adventures in Nicaragua, Fass promotes the station, "Ramblin' Boy" by Tom Praxton, cassette player breaks, "Clean Cut Kid" by Bob Dylan, interview with Jimmy Breslin about Parking Violations Bureau ...
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2022
Villa-Lobos and Modernism: The Apotheosis of Cannibal Music provides a new assessment of the Brazilian composer Heitor Villa-Lobos in terms of his contributions to the Modernist Movement of the twentieth century. In this profound study, Ricardo Averbach elevates Cultural Cannibalism as a major manifestation of the Modernist aesthetics and Villa-Lobos ...
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Villa-Lobos and Modernism: The Apotheosis of Cannibal Music provides a new assessment of the Brazilian composer Heitor Villa-Lobos in terms of his contributions to the Modernist Movement of the twentieth century. In this profound study, Ricardo Averbach elevates Cultural Cannibalism as a major manifestation of the Modernist aesthetics and Villa-Lobos ...
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2020
Guests: No guests. Works: Bachiana Brasileira No. 1; Brazilian songs; Bachiana Brasileira No. 5; Dance Piece (Oscar Fernandez); Danza Brazileira (Guarneri); Sensemaya (Revueltas).
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Guests: No guests. Works: Bachiana Brasileira No. 1; Brazilian songs; Bachiana Brasileira No. 5; Dance Piece (Oscar Fernandez); Danza Brazileira (Guarneri); Sensemaya (Revueltas).
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Tempo, 1989
Heitor Villa-Lobos's sole visit to Israel, in 1952, was significant in several ways. During a stay of a few days, he presented himself as conductor of his own works, lectured on his pedagogical ideas by explaining and demonstrating his manosolfa system, and was inspired to compose a symphonic poem based on his impressions of Israel, which he dedicated ...
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Heitor Villa-Lobos's sole visit to Israel, in 1952, was significant in several ways. During a stay of a few days, he presented himself as conductor of his own works, lectured on his pedagogical ideas by explaining and demonstrating his manosolfa system, and was inspired to compose a symphonic poem based on his impressions of Israel, which he dedicated ...
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Villa-Lobos: Collected Studies
The Musical Times, 1992This work brings together in their origianl format, all of the writings over 51 years of Lisa M. Peppercorn on Villa-Lobos, the leading figure in 20th century Latin American music. They cover his life, family and music and include a selection of his letters.
Simon Wright, Lisa M. Peppercorn
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1992
Mit seiner Synthese aus Elementen der brasilianischen Volksmusik und Techniken bzw. Prozessen der europaischen Kunstmusik, fur die er in einigen hundert, alle Genres umfassenden und oft umgeschriebenen oder uminstrumentierten Werken phantasievolle Losungen fand, gilt H. V.-L.
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Mit seiner Synthese aus Elementen der brasilianischen Volksmusik und Techniken bzw. Prozessen der europaischen Kunstmusik, fur die er in einigen hundert, alle Genres umfassenden und oft umgeschriebenen oder uminstrumentierten Werken phantasievolle Losungen fand, gilt H. V.-L.
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