Results 1 to 10 of about 35,241 (272)

Model based ranking of the influence of geometry and materials on the dynamical behavior of the violin highlights predominance of geometrical choices [PDF]

open access: yesScientific Reports
When considering the vibroacoustical behavior of the family of violin instruments, especially related to their construction, numerous beliefs and theories coexist that are not necessarily compatibles between each other.
Romain Viala   +3 more
doaj   +2 more sources

Timbre perception in violins: spectral and formant influences of string materials in a controlled study [PDF]

open access: yesScientific Reports
String instrument timbre is influenced by a complex interplay of string material, instrument body characteristics, and playing technique. However, the perceptual effects of different string materials and their relationship with acoustic parameters remain
Takumi Asakura
doaj   +2 more sources

Imitation, genetic lineages, and time influenced the morphological evolution of the violin. [PDF]

open access: yesPLoS ONE, 2014
Violin design has been in flux since the production of the first instruments in 16th century Italy. Numerous innovations have improved the acoustical properties and playability of violins.
Daniel H Chitwood
doaj   +1 more source

Wood densitometry in 17th and 18th century Dutch, German, Austrian and French violins, compared to classical Cremonese and modern violins. [PDF]

open access: yesPLoS ONE, 2012
Classical violins produced by makers such as Antonio Stradivari and Guarneri del Gesu have long been considered the epitome of the luthier's art and the expressive tool of choice for the most celebrated violinists. It has been speculated these makers had
Berend C Stoel   +2 more
doaj   +1 more source

Effect of Bow Camber and Mass Distribution on Violinists' Preferences and Performance

open access: yesFrontiers in Psychology, 2021
Little is known about how bow mechanical characteristics objectively and quantitatively influence violinists' preferences and performance. Hypothesizing that the bow shape (i.e., camber) and mass distribution modifications would alter both violinists ...
Aurélie Tomezzoli   +5 more
doaj   +1 more source

Pau-brasil and string instrument bows telecouple nature, art, and heritage

open access: yesEcology and Society, 2022
The wood of the pau-brasil tree (Paubrasilia echinata Lam., formerly Caesalpinia echinata Lam.) is used worldwide as raw material for the construction of high-quality bows for string instruments.
Silke Lichtenberg   +4 more
doaj   +1 more source

L'analisi Stratigrafica dello Strumento Antico: un Approccio Microtomografico

open access: yesArcheomatica, 2020
The coating system of bowed string instruments is often composed of several organic (e.g. siccative oils, resins) and inorganic (e.g. pigments, fillers) materials, variously mixed and/or overlaid.
Tommaso Rovetta   +5 more
doaj   +1 more source

Listener evaluations of violins made from composites [PDF]

open access: yes, 2020
For centuries, wood, and more specifically spruce, has been the material of choice for violin top plates. Lately, carbon fiber instruments have entered the market.
Duerinck, Tim   +6 more
core   +2 more sources

No-one is Unmusical:Elizabeth, Everyday Cheermongery, and Active Musical Citizenship [PDF]

open access: yes, 2011
Everyday cheermongers spread positive emotion through social contagion. This capability is illustrated here through a portrait of Elizabeth, a ‘Suzuki method’ violin teacher in Edinburgh.
Thin, Neil
core   +2 more sources

Crossing boundaries [PDF]

open access: yes, 2006
Publisher ...
Alburger, Mary Anne, Russell, Ian
core   +1 more source

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