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Youth Soccer Development After a Forced Training Interruption: A Retrospective Analysis of Prepubertal Players. [PDF]
Abate Daga F +3 more
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Exploring the impact of AI-assisted practice applications on music learners' performance, self-efficacy, and self-regulated learning. [PDF]
Ou J, Nogueira J, Qin C.
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An approach to the objective appraisal of the properties of wood for violin making
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Violin-making in Rome, 1700−1830: new archival investigations
Early Music, 2022Abstract In the 16th and 17th centuries, Roman production in the lutherie sector focused almost exclusively on plucked-string instruments: in the numerous workshop inventories that have come down to us, the various members of the viola family are very rare indeed, while violins are almost entirely absent. Again in Rome, the profession of
P. Barbieri
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Old meets new: 3-D printing and the art of violin-making
The Journal of the Acoustical Society of America, 2022Since violin-making emerged in the early 16th century, luthiers have incorporated new technology and scientific principles into their craft in an effort to create different sounds, increase resonance, amplify volume, and create more ease of playing. In late 2018, a Canadian interdisciplinary team spearheaded by the Ottawa Symphony Orchestra asked the ...
Mary-Elizabeth Brown
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Sherlock’s violin: Making the Victorian modern through musical fan culture
Journal of Fandom Studies, The, 2016Abstract In the past decade, numerous film and television adaptations of Sir Arthur Conan Doyle’s Sherlock Holmes detective stories have inspired fans across the world to form vibrant communities devoted to creating Sherlockian fiction, art and music.
Elizabeth A. Clendinning
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Hands, Skills, Tools. Learning the Craft of Violin Making
Violin makers are striving to create instruments of perfect sound and form. At this, they move between contradictive objectives: the canonized standards and one’s own creativity. The violin making schools occupy a powerful position in this negotiation process – while their attitudes, practices and objectives differ substantially.Sarah May +3 more
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Competing with Cremona: Violin Making Innovation and Tradition in Paris (1802-1851)
2011Competing with Cremona: Violin Making Innovation and Tradition in Paris: 1802-1851) by Christina Marie Linsenmeyer Doctor of Philosophy in Musicology Washington University in St. Louis, 2011 Professor Dolores Pesce, Chairperson This study considers the ways in which the preference for old Italian violins, particularly Stradivari, is substantiated in ...
Christina Linsenmeyer
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