Results 41 to 50 of about 33,577 (214)
Theodor Steinbüchel's Great Figures of Christian Humanism
Modern Theology, EarlyView.Abstract Theodor Steinbüchel (1888–1949) offers a study of eight figures in Western history who may be regarded as gestalts of Christian Humanism. He argued that none of these eight figures will ever return in the same way, but since there was an eternal conception of Christianity to which their ethos gave human form, each of these gestalts can be ...
Tracey Rowland
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Pallas, 2009 It is generaly assumed that Virgil’ s second Bucolic was written first. Our analysis is no demonstration of the rightness of that thesis but picks out in the poem a few incipient tendencies that were to become manifest throughout Virgil’ s work, such as ...
Marco Fernandelli
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Is Capitalism Bad for Democracy? A Review of Lisa Herzog's The Democratic Marketplace
Philosophy &Public Affairs, EarlyView.ABSTRACT In The Democratic Marketplace, Lisa Herzog offers a damning indictment of democratic capitalism. Among other things, she argues that capitalism has led to increased inequality, fosters an unhealthy culture of competition, that it is bad for the environment, and that it is ultimately bad for democracy itself.
Adam F. Gibbons
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Eskatologien i tidlig romersk kejsertid
Religionsvidenskabeligt Tidsskrift, 1987 The so-called Messianic thought in Virgil has often been a matter of discussion. This article stresses certain aspects of this thought, namely its eschatological and soteriological implications: The primitivistic conception of the remote past as a Golden
Svend Erik Mathiassen
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Renaissance Studies, EarlyView.ABSTRACT Seventeenth‐century virtuosi often figured themselves as epistemic weeders, grubbing up rank thickets of accumulated error. In this article, I argue that these metaphors were unnerved by the shifting status of weeds—ostensibly unwanted plants from the margins of cultivated space, unploughed land or the disturbed soils between growing crops—in ...
Francis Taylor
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Shakespeare and the other Virgil : pity and imperium in Titus Andronicus.
, 2016 The influence of Virgil’s Aeneid in Shakespeare’s Titus Andronicus is more extensive than has been recognized to date, largely because Shakespeare studies, surprisingly, still has not entirely acknowledged or addressed the more ambiguous reading of the ...
P. Gray
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European Journal of Haematology, Volume 117, Issue 3, Page 662-672, September 2026.ABSTRACT Introduction Jacobsen syndrome, resulting from a terminal deletion of chromosome 11 (11q), may lead to an increased bleeding tendency due to low platelet counts or platelet dysfunction. Currently, information on bleeding tendency and platelet function in patients with nonterminal 11q‐aberrations such as larger deletions, interstitial 11q ...
Elise J. Huisman +10 more
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Proceedings of the 21st annual ACM SIGPLAN conference on Object-oriented programming systems, languages, and applications, 2006 Embedded microcontrollers are becoming increasingly prolific, serving as the primary or auxiliary processor in products and research systems from microwaves to sensor networks. Microcontrollers represent perhaps the most severely resource-constrained embedded processors, often with as little as a few bytes of memory and a few kilobytes of ...
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The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet
Renaissance Studies, Volume 40, Issue 4, Page 589-608, September 2026.Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
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Renaissance Studies, Volume 40, Issue 4, Page 609-634, September 2026.Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
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