Results 181 to 190 of about 167,241 (301)
Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
, 1936 Donated by the Congregation. The Mother of Christ is in blue to symbolize her and the heavenly love she represents. She represents. She carried white lilies to show her purity. The angels above and below both St. John and the Virgin Mary have banners inscribed with “Glory” and “Alleluia.” Information from Trumpeting Our Stained Glass Windows ...
openaire +1 more source
Renaissance Studies, EarlyView.Abstract This essay demonstrates how a gender‐informed, more‐than‐human lens can provide new ways to analyse how the role of a queen in forestry management was conceptualised by sixteenth‐century professional men. It explores these ideas as they are presented in a work published by Guillaume Martin, Lieutenant General of the forests and waterways of ...
Susan Broomhall
wiley +1 more source
Bodily Abounds. Hilary Mantel's <i>The Mirror and the Light</i> as Cixousian "Feminine Text. [PDF]
Open Res EurAndabak A.
europepmc +1 more source
Renaissance Studies, EarlyView.Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
wiley +1 more source
The patronage of religious tourism seen from its motivations that predict satisfaction and loyalty: The Virgin of Chaguaya in Bolivia. [PDF]
PLoS OneCarvache-Franco M +4 more
europepmc +1 more source
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
Introduction: Invasive Species, Global Health, and Colonial Legacies. [PDF]
J Hist Med Allied SciSkotnes-Brown J, Lynteris C.
europepmc +1 more source