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A partir do ano 2000, o volume da análise crítica sobre Woolf e a sua relação com o visual tem quadruplicado. O trabalho de pesquisa sobre uma Woolf fotográfica – que inclui a interação de outros fotógrafos com Woolf, como Gisèle Freund, ou a minha ...
Maggie Humm
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Género y traducción: Traducción al español de Orlando de Virginia Woolf, por Jorge Luis Borges
Jorge Luis Borges tradujo al español la novela Orlando: A Biography, escrita por Virginia Woolf, nueve años después de la publicación, en 1928. En la obra, Virginia Woolf buscaba trazar un camino que conllevaría a la perfecta armonía de los dos sexos en
Jhonny Alexander Calle Orozco
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Metaphor and Simile as Communicative Devices in the Essays of Virginia Woolf
In this article we argue that the rhetorical fi gures of metaphor and simile, as two persuasive devices that characterise the style of the essay of Virginia Woolf, possess a cognitive value different from the simple use of the identifi cation and ...
Margarita Esther Sánchez Cuervo
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This article charts a particular journey of discovery – that of ‘heritage questing with Virginia Woolf’. We explore how, against the backdrop of COVID-19, the Master’s in Cultural Heritage Studies (MACHS) adopted and adapted Virginia Woolf as an ...
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"A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”
This article examines the deadlocks foregrounded in recreating and reconstituting memory in Virginia Woolf’s “A Sketch of the Past” from the body’s perspective.
Ana Carolina de Carvalho Mesquita
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Voces femeninas en To the Lighthouse de Virginia Woolf
Voces femeninas en To the Lighthouse de Virginia ...
Marina Fe
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Contemporary Biographies of Virginia Woolf for Young Readers
This article explores how modern biographies reinterpret Virginia Woolf’s life, aesthetics, and legacy through text and images, focusing on three works: the picturebooks Virginia Woolf, la escritora de lo invisible by Luisa Antolín Villota and Antonia ...
Guilherme Magri +2 more
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The social group appropriates the agents via a process of corporal mimesis. The practical sense is in this way incorporated. Pierre Bourdieu called it habitus and the practical schemes of male dominance form part of it. The Outsiders creative experiments,
Ripio Rodríguez, Vanessa
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Virginia Woolf, who enjoyed both so-called « higher » culture and « lower » culture, borrowed the strength and codes of music-hall, which was still off-fringe at the turn of the twentieth century.
Caroline Marie
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On Holy Boughs and Sacred Fools: Virginia Woolf Under the Shadow of Jane Harrison [PDF]
Insofar as the influence of myths and ritualistic practices on Modernist artists becomes evident, this paper explores the still underestimated degree of convergence between Harrison.’s theories, as a direct inheritor of Frazer.’s major postulates, and ...
Andrés Cuevas, Isabel Mª
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