Results 341 to 350 of about 3,106,272 (396)
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1975
This chapter discusses the traditional approach of Islamic art of Iran, first architecture and architectural decoration, then the so-called minor arts whose importance is far greater than their slightly pejorative name suggests. Northeastern Iranian ceramics provide examples of figural representations.
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This chapter discusses the traditional approach of Islamic art of Iran, first architecture and architectural decoration, then the so-called minor arts whose importance is far greater than their slightly pejorative name suggests. Northeastern Iranian ceramics provide examples of figural representations.
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Journal of the Warburg and Courtauld Institutes, 1969
Erasmus and the Visual Arts. Postprint aus: Journal of the Warburg and Courtauld Institutes 32 (1969), S.
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Erasmus and the Visual Arts. Postprint aus: Journal of the Warburg and Courtauld Institutes 32 (1969), S.
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2019
Two relatively essays that provide useful background on and interpretation of the state of research concerning early-modern women artists are Babette Bohn’s ‘From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe’ and Sheila ffolliott’s ‘Early Modern Women Artists’.
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Two relatively essays that provide useful background on and interpretation of the state of research concerning early-modern women artists are Babette Bohn’s ‘From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe’ and Sheila ffolliott’s ‘Early Modern Women Artists’.
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2012
Abstract The article looks at the influence of the visual arts among Transcendentalists and how they used the art of painting in favor of the movement. When the Transcendentalist movement began, the United States simply had no art or art had not yet generated any language for asserting its place in the country.
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Abstract The article looks at the influence of the visual arts among Transcendentalists and how they used the art of painting in favor of the movement. When the Transcendentalist movement began, the United States simply had no art or art had not yet generated any language for asserting its place in the country.
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2001
Under detailed scrutiny, the period from 425 to 600 is seen to represent a time of significant and conspicuous artistic production and stylistic change and complexity. If the fourth century appears a time of transition, yet dominated by traditional forms and techniques, then in contrast it is easy to see that the fifth century witnesses considerable ...
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Under detailed scrutiny, the period from 425 to 600 is seen to represent a time of significant and conspicuous artistic production and stylistic change and complexity. If the fourth century appears a time of transition, yet dominated by traditional forms and techniques, then in contrast it is easy to see that the fifth century witnesses considerable ...
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The Visual Arts and the Art of the Unseen
Leonardo, 1979After a century of innovation and revolt, it might seem that visual artists would have exhausted the possibilities of the perceptual world. In a series of movements protesting the complacent attitude of 19th-century Western 'academic' art, painters, led by Cezanne, Manet, Gauguin and van Gogh, fought the battle of Impressionism, Fauvism, Cubism and ...
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2015
It is not often one can make universal generalizations, but it is axiomatic that cultural heritage places and the visual arts are inseparable. Whether it is the rock art in Kakadu World Heritage Site in northern Australia, the multiple art works that suffuse the urban fabric of Florence, the bas-relief sculptures of the temples of Angkor in Cambodia ...
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It is not often one can make universal generalizations, but it is axiomatic that cultural heritage places and the visual arts are inseparable. Whether it is the rock art in Kakadu World Heritage Site in northern Australia, the multiple art works that suffuse the urban fabric of Florence, the bas-relief sculptures of the temples of Angkor in Cambodia ...
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2021
The story of Protestant visual art begins well before Luther posted the 95 Theses. It is a story bound up with iconoclastic revision and destruction as well as with new ways of telling the Christian story in a distinctly Protestant visual mode. In the centuries since the Reformation, artists have emphasized prophetic themes such as the peaceable ...
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The story of Protestant visual art begins well before Luther posted the 95 Theses. It is a story bound up with iconoclastic revision and destruction as well as with new ways of telling the Christian story in a distinctly Protestant visual mode. In the centuries since the Reformation, artists have emphasized prophetic themes such as the peaceable ...
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