Results 241 to 250 of about 1,582,256 (291)
Intraocular infection of <i>Moraxella nonliquefaciens</i> accompanied by secondary angle-closure glaucoma: A case report. [PDF]
Yan Y +5 more
europepmc +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
The Year's Work in Critical and Cultural Theory
Abstract This review of the year’s work in visual culture in 2024 is structured around the theme of capitalist extraction, which generates three broad questions. How is visual culture implicated in regimes of extraction? Second, how does visual culture contribute to these practices?
+7 more sources
Abstract This review of the year’s work in visual culture in 2024 is structured around the theme of capitalist extraction, which generates three broad questions. How is visual culture implicated in regimes of extraction? Second, how does visual culture contribute to these practices?
+7 more sources
2020
How to think about what it means to look and see: a guide for navigating the complexities of visual culture. The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see—color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West ...
+4 more sources
How to think about what it means to look and see: a guide for navigating the complexities of visual culture. The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see—color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West ...
+4 more sources
2017
This chapter considers the significant influence of William Sheppard on U.S. visual culture. In 1890, soon after he arrived in the Congo, he expresses his intent to collect Congolese artifacts, mostly Bakuba, for Hampton’s “Curiosity Room,” which was the basis for its renowned art museum.
openaire +1 more source
This chapter considers the significant influence of William Sheppard on U.S. visual culture. In 1890, soon after he arrived in the Congo, he expresses his intent to collect Congolese artifacts, mostly Bakuba, for Hampton’s “Curiosity Room,” which was the basis for its renowned art museum.
openaire +1 more source

