Results 31 to 40 of about 2,718 (216)
Introduzione. La prospettiva come tema vitruviano = Introduction. Perspective as a Vitruvian Theme
Con la diffusione della prospettiva lineare, l’architettura divenne uno dei principali temi di studio degli artisti rinascimentali. La necessità di rappresentare architetture credibili impose ai pittori di imparare a disegnare come gli architetti ...
Filippo Camerota
doaj +1 more source
ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
wiley +1 more source
Una nota su Albrecht Dürer e Vitruvio = A Note on Albrecht Dürer and Vitruvius
In questo saggio l’autore propone una riconsiderazione globale del rapporto di Albrecht Dürer con il De Architectura di Vitruvio, prestando costante attenzione alle fonti rimaste.
Giovanni Maria Fara
doaj +1 more source
Automotive Systems Modelling with Vitruvius
Model-driven technologies are widely used in the development of systems in the automotive domain. Although modelling tools and code generation increase the development speed and the quality of the developed system in general, the availability of several ...
Koziolek, Anne +3 more
core +1 more source
On the origin of the architect: Architects and xenía in the ancient Greek theatre
Ubiquitous in ancient Greek culture, the ethical principle of xenía may broadly translate as hospitality to strangers, doing so through taking interpersonal, political, and architectural form.
Simon Weir
doaj +1 more source
Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
I saperi dell’architetto nella propaganda augustea: Vitruvio, Creta e la medicina
The Vitruvian De architectura, treatise in ten books dedicated to Augustus, documents the author’s perfect adherence to the ideological contents of the Augustan propaganda – which founded much of its success not only on territorial conquests but also on ...
Margherita Cassia
doaj +1 more source
Abstract This essay demonstrates how a gender‐informed, more‐than‐human lens can provide new ways to analyse how the role of a queen in forestry management was conceptualised by sixteenth‐century professional men. It explores these ideas as they are presented in a work published by Guillaume Martin, Lieutenant General of the forests and waterways of ...
Susan Broomhall
wiley +1 more source
Arianna's Palette: A Diagnostic Study of the Painting Walls of the Domus of Arianna in Pompeii
ABSTRACT The House of Arianna, also known as the House of Colored Capitals, represents, with its 1700 m2 of floor space, one of the most majestic examples of a residence within the Pompeii archaeological site. The research developed within the project “Cultural Heritage Active Innovation for Sustainable Society—CHANGES” reports the outcomes of the ...
Maria Verde +9 more
wiley +1 more source
On Guyer’s Vitruvian Normativity
A critical note on Paul Guyer’s A Philosopher Looks at Architecture (2021). In his book, Paul Guyer proposes that the Vitruvian triad of venustas, utilitas, and firmitas represents central goals and normative values of architecture – ideals that ...
Saul Fisher
doaj +1 more source

