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Vladimir Mayakovsky and Marina Tsvetaeva
Soviet Studies in Literature, 1983It's hard to say when Mayakovsky first met Tsvetaeva. Perhaps it was at a gathering held one evening at the end of January 1918 at the Moscow apartment of the poet A. Amari (M. O. Tseitlin), where "almost all the poets in Moscow" were present other than Briusov.
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Mayakovsky, Vladimir (1893–1930)
2018Vladimir Mayakovsky (МАЯКОВСКИЙ, ВЛАДИМИР) was a leading Russian poet of the twentieth century and representative of Russian Futurism, a modernist trend that emerged as an attempt to approximate the utopian future through art. Mayakovsky brought experiment and innovation to poetry, drama, cinematography and graphic design, thus changing the entire ...
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Vladimir Mayakovsky’s Novosibirsk Echoes
The article examines two cases of reception of Vladimir Mayakovsky by Novosibirsk writers. The first is connected with Mayakovsky on the pages of the magazine “The Present”. It is shown that mentions of the poet are divided into two groups: mentions in connection with the literature of the fact, which the magazine is trying to develop, and the use of ...Sergej S. Vassiliev, Igor E. Loshchilov
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The AgitProp and Circus Plays of Vladimir Mayakovsky
The Drama Review, 1973The best known of Mayakovsky's plays are Vladimir Mayakovsky, A Tragedy (1913), Mystery-Bouffe (the second version, 1921), The Bedbug (1928-29), and The Bathhouse (1930). These works appeared in 1968 in a book entitled The Complete Plays of Vladimir Mayakovsky. However, between 1920 and 1930 Mayakovsky wrote several other dramatic texts.
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2015
In his biography of Vladimir Mayakovsky, Edward J. Brown describes the poet’s body of work as a “regular alternation of lyric with political or historical themes,” noting that Mayakovsky’s long lyric poems, like Человек [Man, 1916] and Про это [About That, 1923] are followed by the propagandistic Мистерия-буфф [Mystery-Bouffe, 1918] and Владимир Ильич ...
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In his biography of Vladimir Mayakovsky, Edward J. Brown describes the poet’s body of work as a “regular alternation of lyric with political or historical themes,” noting that Mayakovsky’s long lyric poems, like Человек [Man, 1916] and Про это [About That, 1923] are followed by the propagandistic Мистерия-буфф [Mystery-Bouffe, 1918] and Владимир Ильич ...
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