Results 71 to 80 of about 695 (191)
Current Musicology, 2018 In Categorizing Sound, David Brackett presents a broad and richly detailed “history of the practice of categorizing” popular music in the twentieth century (331), asking when, how, and why stylistic labels and classification schemes become legible across
Thomas Johnson
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Public Administration, EarlyView.ABSTRACT New research argues that robust governance based on flexible adaptation and proactive innovation is needed in order to uphold core public functions, purposes, and values in times of societal turbulence. However, we have limited knowledge of the conditions for enhancing robust governance.
Jacob Torfing +9 more
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Staging the Semahs: Performing Aleviness in Turkey and Europe
Studies in Ethnicity and Nationalism, EarlyView.ABSTRACT The semah, a genre of music and movement practices imbued with values of gender, class, age and ethical egalitarianism, lies at the core of the Alevis' ayn‐i cem rituals. Since the 1970s, processes of urbanisation, migration, folklore production and heritage‐making have facilitated the circulation of semah beyond ritual contexts, particularly ...
Sinibaldo De Rosa
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Record the track and track the record: On the call‐and‐response dynamics in Hip Hop practice
Journal of Linguistic Anthropology, Volume 36, Issue 1, May 2026.Abstract Call‐and‐response has primarily been studied in Black Atlantic artistic traditions. We transpose call‐and‐response dynamics to the writing and recording process of a Hip Hop studio session. Combining collaborative autoethnography with formal analysis and using Communication Accommodation Theory's conceptual parameters of conscious and ...
Dastan Abdali, Steven Gilbers
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Social transformation through community music projects: A scoping review
Review of Education, Volume 14, Issue 1, April 2026.Abstract This article investigates the hypothesis that music can be a powerful catalyst for social transformation within specific territorial and social contexts. To explore this, a scoping review was conducted, aiming to identify the participants, networks and contexts described in the scientific literature on community music and to critically examine
Noemy Berbel‐Gómez +3 more
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Remembering Courtney Cazden, 1925–2025
Reading Research Quarterly, Volume 61, Issue 2, April/May/June 2026.ABSTRACT Here we remember and honor Courtney B. Cazden (1925–2025), whose scholarship, mentorship, and moral clarity profoundly shaped the study of language, literacy, and learning. Drawing on our shared experiences as colleagues, collaborators, students, and friends, we reflect on Courtney's enduring contributions to classroom discourse analysis ...
Kris D. Gutiérrez +5 more
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Improvisation and imitation in jazz vocal training
Management of EducationВ рамках данной статьи автор поднимает проблему импровизации и подражания в обучении джазовому вокалу. Целью статьи является понимание сущности импровизации и подражания в образовательном процессе по направлению «эстрадно-джазовый вокал». Для достижения указанной цели автор последовательно решает несколько задач.
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THE ART OF VOCAL IMPROVISATION IN POP MUSIC: UNLEASHING CREATIVITY AND EXPRESSIVENESS
, 2023 The article highlights the theoretical aspects of vocal improvisation in pop music. Based on the application of a wide range of methods (analysis, synthesis, generalization, systematization), the importance of vocal improvisation for pop music is presented, which consists in artistic individuality, improvement of musical communication, dynamic live ...
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TESOL Quarterly, Volume 60, Issue 1, Page 261-290, March 2026.ABSTRACT This study examines how second language (L2) teacher educators provide feedback on student teachers' (STs) microteaching performances. Although conversation analysis (CA) research has extensively analyzed classroom interaction, there has been limited focus on how CA‐specialized teacher educators shape STs' classroom interactional competence ...
Eunseok Ro, Mika Ishino
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Journal of the Royal Anthropological Institute, Volume 32, Issue 1, Page 293-312, March 2026.What do communicating with a baby, with an animal, and with an ancestor have in common? In all three cases, people engage in opaque communication that is far from the standard psycholinguistic model of transparent interaction based on shared intentionality.
Charles Stépanoff
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