Results 21 to 30 of about 2,134,021 (391)
This paper provides the results of a 3D photogrammetric survey of the apsidal conch of St. Panfilo Church in Tornimparte (L’Aquila, Italy). The images were acquired and then processed in order to obtain a three-dimensional model available on Sketchfab ...
L. Lanteri +7 more
semanticscholar +1 more source
Earthen sites are important remains of past human societies. Weather-resistant measures comprise a major part of conservation efforts for earthen sites. Marked advancements in weather-resistant techniques have been made in recent years. Earthen sites are
Xudong Wang +3 more
doaj +1 more source
Microbial colonization on stone monuments leads to subsequent biodeterioration; determining the microbe diversity, compositions, and metabolic capacities is essential for understanding biodeterioration mechanisms and undertaking heritage management. Here,
Yong Zhang +9 more
doaj +1 more source
A PROPOSED MULTIMODAL CONVOLUTIONAL NEURAL NETWORKS (CNNS) SOLUBLE SALTS MAPPING SYSTEM OF THE SUBSURFACE: THE CASE OF THE WALL PAINTING AT THE ROYAL BOX AT HERODIUM, ISRAEL [PDF]
In 2008, excavations at Herodium revealed magnificent secco wall paintings and stucco decorations adorning the central chamber at the top of the royal theatre. The wall paintings, dated to the first century B.C.E., have been preserved up to a height of 6
M. Ovadia, M. Ovadia, A. Brook
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Wall paintings through the ages: the roman period—Republic and early Empire
This paper aims at presenting an overview of Roman wall painting production between late Republic and the early Empire. It will focus on the technique and style of in situ wall paintings from the Vesuvian area (Italy).
M. Salvadori, Clelia Sbrolli
semanticscholar +1 more source
The Northern Wei Dynasty (386–534 CE) murals of Cave 254 in the Mogao Grottoes, China, have been extensively affected by pigment color changes and fading.
Chai Bolong +8 more
doaj +1 more source
Pigments—the palette of organic colourants in wall paintings
The present contribution deals with the use of organic colourants in wall paintings, polychrome pottery and painted stone artworks, i.e. painted artworks on inorganic supports.
M. Aceto
semanticscholar +1 more source
Wall paintings have been a cultural expression of human creativity throughout history. Their degradation or destruction represents a loss to the world’s cultural heritage, and fungi have been identified as a major contributor to their decay. We provide a
L. Zucconi +3 more
semanticscholar +1 more source
Characterization of Waxes in the Roman Wall Paintings of the Herculaneum Site (Italy)
A multi-analytical approach is proposed for the detection and quantitative characterization of waxes in wall paintings from the Vesuvian area, in particular in the House of the Skeleton, the House of the Deer and the House of the two Atriums in ...
L. Bergamonti +5 more
semanticscholar +1 more source
Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century)
This paper is devoted to wall painting in the Middle Ages (ca. late fifth to early fifteenth centuries), with a focus on twelfth to fifteenth century Italy. It is conceived as a critical conflation of diverse methodologies, approaches and research tools,
Z. Murat
semanticscholar +1 more source

