Results 91 to 100 of about 9,086 (306)

O CINEMA CUBANO PÓS-REVOLUCIONÁRIO E A REDEFINIÇÃO DE IDENTIDADE NO PERÍODO DE OURO DO CINEMA NACIONAL EM CUBA [PDF]

open access: yes, 2015
TCC (graduação) - Universidade Federal de Santa Catarina. Centro Sócio-Econômico. Relações Internacionais.A ascensão do governo revolucionário em Cuba no ano de 1959, deu início a um período de expansão cultural no país.
Pilz, Barbara Couto
core  

Kino Wolność (1990–2009)

open access: yesPostscriptum Polonistyczne, 2020
The article deals with Polish cinema after the year 1989. Starting with the characteristics of Polish cinema before the period of transformations, the author continues with an analysis of the new cinema to distinguish four currents: “works of mourning ...
Tadeusz Lubelski
doaj  

Ontology of Time in Cinema A Deleuzian reading of Still Life and Prince Ehtejab With an emphasis on the concept of Time-Image [PDF]

open access: yesJournal of Philosophical Investigations, 2017
Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing ...
Ali Fath Taheri, Faezeh Jafariyan
doaj  

Challenging ‘Imperialist’ Cinematography: IRA Attacks on Dublin Cinemas, 1925-1939

open access: yesReview of Irish Studies in Europe, 2018
In mid-November 1925, the Masterpiece cinema in Dublin was called upon by armed men, who seized seven of its eight copies of the First World War film The Battle of Ypres.
Donal Fallon
doaj   +1 more source

Field Report from Collaborative Research Center 1625: Heterogeneous Research Data Management Using Ontology Representations

open access: yesAdvanced Engineering Materials, EarlyView.
A unified research data management framework for heterogeneous materials data is presented. The system integrates multimodal datasets using ontologies and knowledge graphs, enabling interoperability and FAIR (findable, accessible, interoperable, reusable) data principles. By linking data across scales and workflows, it supports reproducible, Artifitial
Doaa Mohamed   +6 more
wiley   +1 more source

Cinema

open access: yes, 2011
Cinema as the mass culture art form that we know today began with technological advances in French photography by Joseph Nicephore Niepce in 1827 and Louis-Jacques-Mande Daguerre in 1837.
Hourigan, Daniel
core   +1 more source

Towards Defect Phase Diagrams: From Research Data Management to Automated Workflows

open access: yesAdvanced Engineering Materials, EarlyView.
A research data management infrastructure is presented for the systematic integration of heterogeneous experimental and simulation data required for defect phase diagrams. The approach combines openBIS with a companion application for large‐object storage, automated metadata extraction, provenance tracking and federated data access, thereby supporting ...
Khalil Rejiba   +5 more
wiley   +1 more source

The Silent War. "Newsreels" and "Cinema postcards" from country at war

open access: yes, 2012
When did the newsreel formula originate in Italy? When did events start to be presented with the informative regularity of the newsreel, rather than according to the system of the “Cinema of Attraction” - typical of the non fiction film, that is to say a
Berruti, SIla, Mazzei, Luca
core  

'Movie-made generation': cinema-going and the novel in post-war Britain

open access: yes, 2014
This thesis examines how the reading and writing of the post-war British novel is altered by the emergence of an 'everyday' cinema-going culture amongst young people in the 1920s, 30s and 40s.
McLaughlin, Marc
core   +1 more source

Comment sont regardés les films sur la Grande Guerre patriotique dans la Russie actuelle ?

open access: yesJournal of Power Institutions in Post-Soviet Societies, 2011
The promoting of a patriotic cinema by the Russian state favored a new production, which appropriates in various ways this topos of the Soviet cinéma which is the patriotic Great War.
Myriam Désert
doaj  

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