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Mansfield's Post-War Reappraisal of Cinema
2014After discussing Mansfield’s interest for Charlie Chaplin, whose talent for mimesis was exalted in the Modernist period and contrasted with the commercial side of film acting, the chapter focuses on Mansfield’s treatment of performance in ‘Je ne parle pas francais’, which is discussed here as an act of self-parody.
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Cinema and representation in international relations: Hollywood cinema and the cold war [PDF]
, 2005 ÖZ ULUSLARARASI İLİŞKİLERDE SİNEMA VE TEMSİL: HOLLYWOOD SİNEMASI VE SOĞUK SAVAŞ Şengül, Ali Fuat Yüksek Lisans, Uluslararası İlişkiler Bölümü Tez Yöneticisi: Doç. Dr. Necati Polat Temmuz 2005, 65 Sayfa Bu tez Soğuk Savaş döneminde Amerika Birleşik Devletleri hükümetleri ile Hollywood sineması arasındaki ilişkileri inceleyerek 'gerçeklik olarak ...
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Yugoslavia’s Wars, Cinema, and Screen Trauma
2016In 1965, a notable Yugoslav film director Purisa Ðorđevic made Devojka (The Girl), a layered and intricately challenging cinematic poem about the relationship between war, screen, trauma, and memory, of a kind previously unseen in regional filmmaking. By tracing a fragmented and never fully knowable history of war’s trauma, Ðorđevic weaved together a ...
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The Algerian War: Memory through Cinema
Black Camera, 2014Algerian and French filmmakers have dealt differently with the Algerian War, which has nonetheless remained an obscure part of their national histories. From the years that immediately followed the conflict to the 2000s, cinema policies and production contexts have changed, affecting the politics of representation in each country.
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French Cinema and the Great War
2016Even a century after its conclusion, the devastation of the Great War still echoes in the work of artists who try to make sense of the political, moral, ideological, and economic changes and challenges it spawned. France, the military major power of the Western Front, carries the legacy of battles on its own soil, and countless French lives lost ...
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The Vietnam War in American Cinema
2021The period of The Vietnam War was a tumultuous time for American society, and Hollywood films, albeit slightly delayed, reflected the dynamic and confused realities of the war. Rooted in the traditions of the war film which were largely established during World War II, a diverse collection of films was produced during a relatively short period of ten ...
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Cinema of the Borders: New Yugoslav Post-War Cinema
2010The new nation states, formed in the 90’s, had to be re-defined through ideological, cultural, historical and national “revitalization”, a process in which media, especially cinema, played a pivotal role. The outburst of ethnic nationalisms in postwar Yugoslavian countries, the emerging problems of constituting and defining the new national and ethnic ...
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