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British Cinema and the Cold War
2006Cinema was one of the Cold War's most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema's contribution to Cold
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Cinema and representation in international relations: Hollywood cinema and the cold war [PDF]
ÖZ ULUSLARARASI İLİŞKİLERDE SİNEMA VE TEMSİL: HOLLYWOOD SİNEMASI VE SOĞUK SAVAŞ Şengül, Ali Fuat Yüksek Lisans, Uluslararası İlişkiler Bölümü Tez Yöneticisi: Doç. Dr. Necati Polat Temmuz 2005, 65 Sayfa Bu tez Soğuk Savaş döneminde Amerika Birleşik Devletleri hükümetleri ile Hollywood sineması arasındaki ilişkileri inceleyerek 'gerçeklik olarak ...
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French Cinema and the Great War
2016Even a century after its conclusion, the devastation of the Great War still echoes in the work of artists who try to make sense of the political, moral, ideological, and economic changes and challenges it spawned. France, the military major power of the Western Front, carries the legacy of battles on its own soil, and countless French lives lost ...
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Cinema of the Borders: New Yugoslav Post-War Cinema
2010The new nation states, formed in the 90’s, had to be re-defined through ideological, cultural, historical and national “revitalization”, a process in which media, especially cinema, played a pivotal role. The outburst of ethnic nationalisms in postwar Yugoslavian countries, the emerging problems of constituting and defining the new national and ethnic ...
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Between the liberation of 1944 and the mid-1960s, cinema in Belgium was both booming and fragile. Film theatres across the country attracted record audiences and were rebuilt into dazzling spaces, while local film production remained a precarious enterprise. This book brings that paradoxical landscape to life.
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British Cinema and the Reality of War
1988In notes written for a student screening of the feature film The Next of Kin, which he had directed in 1941 for Ealing Studios and the War Office, Thorold Dickinson had this to say about its preview at the Curzon cinema in London: The first version of The Next of Kin was so explicit that it sobered the troops who saw it and sickened many of the ...
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