Results 21 to 30 of about 179,602 (288)

Gli studi cinematografici e la Prima Guerra Mondiale: alcune tendenze

open access: yesStoricamente, 2015
The goal of this article is to investigate the way in which the relationship between cinema and the First World War has been explored in film studies, identifying some of the research trends dominant in recent decades.
Paolo Noto
doaj   +1 more source

Specificity of representation of the military past in the russian commorative and revisionist cinema of the XXI century

open access: yesКонцепт: философия, религия, культура, 2020
Based on theoretical studies of the phenomenon of cultural memory (M. Halbwax, F.R. Ankersmit, J. Zerubavel), the author analyzes the essence and mechanisms of commemoration in contemporary Russian military-themed cinema.
A. P. Petrova
doaj   +1 more source

War film as a political problem in Polish press 1945–1949 [PDF]

open access: yes, 2015
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Rachwald, Tomasz
core   +1 more source

Kilts, tanks, and aeroplanes: Scotland, cinema, and the First World War

open access: yesNECSUS, 2014
This article charts commercial cinema’s role in promoting the war effort in Scotland during the First World War, outlining three aspects of the relationship between cinema and the war as observed in Scottish non-fiction short films produced between 1914 ...
David Archibald, María Vélez-Serna
doaj   +1 more source

Cinema programs as a source for research on historical film audiences. Berlin 1945–1949 [PDF]

open access: yes, 2015
In my paper, I analyse programs from cinemas in all four sectors of occupied Berlin from 1945 to 1949. I focus primarily on ads. Looking at cinema programs allows me to conduct research on local audiences by taking into consideration the social ...
Saryusz-Wolska, Magdalena
core   +1 more source

Cold War Sport, Film and Propaganda : A Comparative Analysis of the Superpowers [PDF]

open access: yes, 2017
This document is the author's original submitted manuscript (pre-print) version. An updated version has been published by MIT Press in Journal of Cold War Studies, available online at doi: https://doi.org/10.1162/JCWS_a_00721.Films and sports played ...
Briley Ron   +19 more
core   +2 more sources

Teach phenomenology the bomb: Starship Troopers, the technologized body, and humanitarian warfare [PDF]

open access: yes, 2005
Paul Verhoeven's SF films are often concerned with how the future body will be reshaped as a technological device. Starship Troopers strangely departs from Verhoeven's own work, other SF films, and current directions in cultural theory by seeing the ...
Clements Jonathan   +3 more
core   +1 more source

Memory of Betraition: The Image of a Collaborationist in Post-War Soviet Cinema

open access: yesВестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2023
Introduction. Researchers have studied manifestations of collaborationism of Soviet citizens during the Great Patriotic War quite well, however, the problem of the perception of collaborators in the postwar period needs additional coverage.
Oleg Romanko, Ekaterina Prosolova
doaj   +1 more source

Sci-fEAST: Science fiction genre in Polish and Czechoslovakian cinema [PDF]

open access: yes, 2015
This article is based on research done as part of Sci-fEAST: the Science Fiction Genre in Central and Eastern Europe project initiated by the students of Charles University in Prague and continued also by the academic staff of the University of Łódź ...
Góralik, Mikołaj
core   +1 more source

From politics to nostalgia: the transformation of war memories in France during the 1960-1970s [PDF]

open access: yes, 2011
This article discusses changes in collective memory of World War Two in France during the 1960s—1970s on the basis of a contextualized discussion of three films, all of which adopt, it is argued, a self-conscious politics of memory.
Bracke, M.A.
core   +1 more source

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