Results 21 to 30 of about 9,086 (306)
Kilts, tanks, and aeroplanes: Scotland, cinema, and the First World War
This article charts commercial cinema’s role in promoting the war effort in Scotland during the First World War, outlining three aspects of the relationship between cinema and the war as observed in Scottish non-fiction short films produced between 1914 ...
David Archibald, María Vélez-Serna
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Memory of Betraition: The Image of a Collaborationist in Post-War Soviet Cinema
Introduction. Researchers have studied manifestations of collaborationism of Soviet citizens during the Great Patriotic War quite well, however, the problem of the perception of collaborators in the postwar period needs additional coverage.
Oleg Romanko, Ekaterina Prosolova
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The Representation of War in All Quiet on Western Front Films
War, which represents power on the one hand and destructiveness on the other, is a form of struggle in the most general sense. This phenomenon, which includes all kinds of diplomatic or armed struggles in which the peace environment is disrupted, is of ...
Funda Masdar
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Five Ukrainian filmmakers discuss how the war has impacted their work, how they see the role of cinema in wartime, and what the institutional landscape of Ukrainian cinema looks like today.
Masha Shpolberg, August Schaller
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1945 : faire l’histoire par l’image ?
Histoire de la photographie by Raymond Lécuyer, Petit musée de la curiosité photographique by Louis Chéronnet, Georges Méliès, mage by Maurice Bessy and Giuseppe Maria Lo Duca and, finally, Images du cinéma français by Nicole Vedrès are four books ...
Éléonore Challine, Christophe Gauthier
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How Can Cinema Justify Wars? A Qualitative Study on War Justification in American Cinema
Cinema is a powerful media that can shape people’s minds about different issues. Movies can focus on very detailed or hidden matters in society, and critical issues that profoundly affect the lives of large populations are usually at the center of cinema’s attention.
Zahra Emamzadeh, Shaho Sabbar
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Focusing on Akhtem Seitablaiev’s blockbuster Kiborhy: Heroi ne vmyraiut' (Cyborgs: Heroes Never Die, 2017) and Sergei Loznitsa’s auteur production Donbass (2018), this article argues that the latest cycle of Ukrainian war films merits critical attention
Yuliya V. Ladygina
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pH‐mediated activation of the lysosomal arginine sensor SLC38A9
Cells monitor nutrient levels via the lysosomal transporter SLC38A9 to activate the mechanistic target of rapamycin complex 1 (mTORC1). This study reveals that SLC38A9 function is regulated by pH. We identified histidine 544 as a critical pH sensor that undergoes conformational changes to control amino acid efflux from lysosomes; therefore, it ...
Xuelang Mu, Ampon Sae Her, Tamir Gonen
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Erythropoietin administration suppresses hepatic soluble epoxide hydrolase (sEH) expression, leading to increased CYP‐derived epoxides. This is associated with a shift in hepatic macrophage polarization characterized by reduced M1 markers and increased M2 markers, along with reduced hepatic inflammation, suppressed hepatic lipogenesis, and attenuated ...
Takeshi Goda +12 more
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War Spoliations and Cultural Transfers: The Case Study of Soviet Cinema (1939-1949)
This collection of articles is one of the last achievements of the scientific project called Cinema in the Soviet Union at war, 1939-1949. This project was initiated by Valérie Pozner (CNRS, Arias THALIM) and Alexandre Sumpf (University of Strasburg ...
Eric Aunoble
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