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War, Photography, Business: New Critical Histories [PDF]
Journal of War & Culture Studies, 2016 This article offers a critique of conventional histories of war photography, which have tended to focus on the biographies of individual renowned photojournalists or particular aesthetically striking images of conflict. We argue the need for an expanded conception of war photography which encompasses not only reportage, but numerous other uses in ...
Allbeson, Tom, Oldfield, Pippa
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War Photography: Díaz & Spencer’s coverage of the War of the Pacific (1879-1883)
Fotocinema: Revista Científica de Cine y Fotografía, 2021 In the study of 19th-century Latin American photography, the photographic capture of war and military operations has implicitly been equated with the eye of national states, understanding that photographers would want to show a positive portrayal of the ...
Candela Marini
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Itinera, 2022 The issue of color in photography constitutes one of those issues that have characterized and enlivened, especially since the post-war period, the debate around a fundamental aspect of the language of photography.
Pio Tarantini
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Revue d’Histoire des Sciences Humaines, 2018 Born in the mid-19th century, aerial photography that has no evident use, can not be touted as a great success before the 1910s. During World War One, however, it is mobilized by the belligerants, as it can be used to map in short time, to unveil the ...
Serge Reubi
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‘Little Gunshots, but with the blaze of lightning’: Xavier Herbert, Visuality and Human Rights [PDF]
, 2017 Xavier Herbert published his bestseller Capricornia in 1938, following two periods spent in the Northern Territory. His next major work, Poor Fellow My Country (1975), was not published until thirty-seven years later, but was also set in the north during
Lydon, Jane
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Cahiers d’Études Germaniques, 2020 Karl Kraus has attached a selection of photographs to his five-act tragedy Die letzten Tage der Menschheit (The Last Days of Mankind, 1918): the first serial publication contained seven photographs—two of which also seem to “frame” the drama in the book ...
Norbert Wolf
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The polaroid image as photo-object [PDF]
, 2010 This article is part of a larger project on the cultural history of Polaroid photography and draws on research done at the Polaroid Corporate archive at Harvard and at the Polaroid company itself.
Adams, Ansel +31 more
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Portrety fotograficzne w filmie polskim: pamiątka, ślad, rekwizyt
Napis, 2023 One of the more interesting phenomena in Polish cinematography is the use of the ‘photograph in film’ effect. Such a device enables the doubling of scenes and exhibiting of various photographic themes.
Ewa Szkudlarek
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Nuclear war as false memory [PDF]
The Open Arts Journal, 2014 In this paper Timberlake outlines aspects of his creative practice as an artist, explaining his fascination for the ‘fictions of nuclear war’ – a war that never happened and so became the subject of ‘false memory’.
John Timberlake
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British Art Studies, 2018 No Man’s Land: Women’s Photography and the First World War is a national touring exhibition curated by Pippa Oldfield of Impressions Gallery in Bradford, and co-produced with Bristol Cathedral, The Turnpike, and Bishop Auckland Town Hall, supported by ...
Pippa Oldfield
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