Results 11 to 20 of about 3,968 (257)

The Ways in Which I Never Thought About My Great-Grandfather: An Essay on the Potentials of Photography as a Historical Document [PDF]

open access: yesТокови историје, 2020
This paper is on the trail of answering the theoretical question of the potential of photography as a historical source. The paper does not aim for a historical reconstruction in the classical sense but is an attempt to show the reach of this visual ...
Filip Mitričević
doaj   +1 more source

Twelve Insights into the Afghanistan War through the Photographs from the Basetrack Project: Rita Leistner’s iProbes and Marshall McLuhan’s Theory of Media

open access: yesArts, 2021
This article presents the iProbe concept developed by the Canadian photographer Rita Leistner. This analytical tool is one of the ways to present the image of modern warfare that emerges from messages in social media and photographs taken using ...
Kalina Kukielko-Rogozinska
doaj   +1 more source

L'AEROFOTOTECA NAZIONALE RACCONTA...La fotografia aerea nel teatro di guerra mediterraneo

open access: yesGEOmedia, 2019
January 23, 2019 was held at the British School at Rome (BSR) a meeting on Second World War military intelligence: aerial photography in the Mediterranean theater.
Elizabeth Jane Shepherd
doaj   +3 more sources

Abolir les frontières en littérature jeunesse : la tentative des albums photographiques des années 1950 à travers l’exemple d’Horoldamba le petit Mongol

open access: yesStrenae, 2016
After the Second World War, photography—in exhibitions, the press, and publishing—had the goal of exploring the world and showing unity among the human race, due to a great pacifist movement initiated after the First World War.
Laurence Le Guen
doaj   +1 more source

War Photography: Díaz & Spencer’s coverage of the War of the Pacific (1879-1883)

open access: yesFotocinema: Revista Científica de Cine y Fotografía, 2021
In the study of 19th-century Latin American photography, the photographic capture of war and military operations has implicitly been equated with the eye of national states, understanding that photographers would want to show a positive portrayal of the ...
Candela Marini
doaj  

Un outil de la paix ?

open access: yesRevue d’Histoire des Sciences Humaines, 2018
Born in the mid-19th century, aerial photography that has no evident use, can not be touted as a great success before the 1910s. During World War One, however, it is mobilized by the belligerants, as it can be used to map in short time, to unveil the ...
Serge Reubi
doaj   +1 more source

La questione del colore oltre i generi fotografici. Temi e linguaggi trasversali per una fotografia contemporanea.

open access: yesItinera, 2022
The issue of color in photography constitutes one of those issues that have characterized and enlivened, especially since the post-war period, the debate around a fundamental aspect of the language of photography.
Pio Tarantini
doaj   +1 more source

Conveying the Tragedy of War Through Unconventional Photography Methods

open access: yesFaces of War
This article analyses the specificity of conveying the tragedy of war through artistic photography. Comparing photos from the Vietnam War and the contemporary Russian-Ukrainian war illustrates how the range of figurative means has expanded.
Yulia Ivashko   +3 more
doaj   +1 more source

Portrety fotograficzne w filmie polskim: pamiątka, ślad, rekwizyt

open access: yesNapis, 2023
One of the more interesting phenomena in Polish cinematography is the use of the ‘photograph in film’ effect. Such a device enables the doubling of scenes and exhibiting of various photographic themes.
Ewa Szkudlarek
doaj  

„Nach dem Henker mußte noch der Photograph heran.“ Krieg und Fotografie in Karl Kraus’ Monumentaldrama Die letzten Tage der Menschheit

open access: yesCahiers d’Études Germaniques, 2020
Karl Kraus has attached a selection of photographs to his five-act tragedy Die letzten Tage der Menschheit (The Last Days of Mankind, 1918): the first serial publication contained seven photographs—two of which also seem to “frame” the drama in the book ...
Norbert Wolf
doaj   +1 more source

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