Results 201 to 210 of about 4,278 (255)
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Survival, 2014
A thematic selection and analysis of war photography across 165 years has tremendous explanatory power about the nature of modern war and the human experience in war and its aftermath.
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A thematic selection and analysis of war photography across 165 years has tremendous explanatory power about the nature of modern war and the human experience in war and its aftermath.
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The discourses of war photography
Journal of Language and Politics, 2003Photography has a long history of (de-)legitimation of wars. In this paper we examine the visual rhetoric of two newspapers, the British Guardian and the Polish Gazeta Wyborcza in their representation of the Palestinian-Israeli war in October 2000. Although both newspapers have access to the same (agency) photographs, their images differ.
Theo van Leeuwen, Adam Jaworski
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History of Photography, 2005
Abstract Today nobody gives much thought to the quality and quantity of writing about photography. But this was not always the case. Whether you agree with her observations or not, the publication of Susan Sontag's On Photography in 1977 was a benchmark event that stimulated a dramatic increase in the scope and merit of writing on the topic. Ironically,
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Abstract Today nobody gives much thought to the quality and quantity of writing about photography. But this was not always the case. Whether you agree with her observations or not, the publication of Susan Sontag's On Photography in 1977 was a benchmark event that stimulated a dramatic increase in the scope and merit of writing on the topic. Ironically,
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History of Photography, 2002
Abstract Ulrich Keller's new book is a detailed and fascinating survey of the many pictorial ways in which the Crimean War was presented to the general public of the time, and recorded for posterity. As befits its subject, it is handsomely produced and richly illustrated, to demonstrate the wide variety of approaches used, from formal paintings to ...
B. A. Henisch, H. K. Henisch
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Abstract Ulrich Keller's new book is a detailed and fascinating survey of the many pictorial ways in which the Crimean War was presented to the general public of the time, and recorded for posterity. As befits its subject, it is handsomely produced and richly illustrated, to demonstrate the wide variety of approaches used, from formal paintings to ...
B. A. Henisch, H. K. Henisch
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PMLA/Publications of the Modern Language Association of America, 2005
The phenomenon of “embedded reporting” seemed to emerge with the invasion of iraq in march 2003. it is defined as the situation in which journalists agree to report only from the perspective established by military and governmental authorities. They traveled only on certain trucks, looked only at certain scenes, and relayed home only images and ...
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The phenomenon of “embedded reporting” seemed to emerge with the invasion of iraq in march 2003. it is defined as the situation in which journalists agree to report only from the perspective established by military and governmental authorities. They traveled only on certain trucks, looked only at certain scenes, and relayed home only images and ...
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Oxford Art Journal, 1999
6. Andrew Ross, No Respect. Intellectuals and Popular Culture (London, 1989), p. 60). The vast number of people killed in war is the central moral as well as material fact of this century. They have died in 'Genocidal wars, fire-bombed cities, nuclear explosions, concentration camps, orgies of private bloodletting'.1 But the one-time existence of the ...
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6. Andrew Ross, No Respect. Intellectuals and Popular Culture (London, 1989), p. 60). The vast number of people killed in war is the central moral as well as material fact of this century. They have died in 'Genocidal wars, fire-bombed cities, nuclear explosions, concentration camps, orgies of private bloodletting'.1 But the one-time existence of the ...
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Photography, the State, and War: Mapping the Contemporary War Photography Landscape
2017This dissertation explores the ways in which media, visuality, and politics intersect through an analysis of contemporary war photography. In so doing, it seeks to uncover how war photography as a social practice works to produce, perform and construct the State.
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Photography and the American Civil War
History of Photography, 2014This beautifully produced book, published to accompany a Metropolitan Museum of Art (Met) exhibition, ranks as a major contribution to the spate of museum publications marking the sesquicentennial ...
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2016
Iwould like to start with documentary war films before broadening the discussion to fictional narrative accounts of war. I find this to be a critical starting point because there is a connection between documentary war films and fictional war films in how their images are orchestrated to mobilize an emotional response.
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Iwould like to start with documentary war films before broadening the discussion to fictional narrative accounts of war. I find this to be a critical starting point because there is a connection between documentary war films and fictional war films in how their images are orchestrated to mobilize an emotional response.
openaire +1 more source