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Is the Prosodic Structure of Texts Reflected in Silent Reading? An Eye-Tracking Corpus Analysis. [PDF]
Palmović M, Cergol K.
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THE LANGUAGE OF WAR IN THE CONTEMPORARY DOCUMENTARY PROSE
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Czeslaw Milosz and the Witness of the Naked Poet [PDF]
Pustejovsky, John S.
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A different look at teaching historical linguistics : the application of new tools in an Old English classroom [PDF]
Kleparski, Grzegorz A., Kudła, Marcin
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War documentary prose by Mykola Lepky
Presoznavstvo. Press Studies, 2023The article examines the essayistic legacy of Mykola Lepkyi and his war-documentary prose. The research is based on accurate biographical information, substantiated by archival documents and familial testimonies found in private correspondence and published memoirs. Specifically, the work «Z voiennoho zapysnyka» is scrutinized, encompassing documentary
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The ANNALS of the American Academy of Political and Social Science, 1949
FOR almost five years after June 1941, Soviet literature was a war literature. The gigantic "struggle for the fatherland" provided all the subject matter to Russian novelists, playwrights, and poets. In no other country did the war absorb the writers so completely or was it reflected in so many works as in the Union of Soviet Socialist Republics.
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FOR almost five years after June 1941, Soviet literature was a war literature. The gigantic "struggle for the fatherland" provided all the subject matter to Russian novelists, playwrights, and poets. In no other country did the war absorb the writers so completely or was it reflected in so many works as in the Union of Soviet Socialist Republics.
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Spanish Pacifist and Soviet Civil War Prose
Bulletin of Hispanic Studies, 2008This article compares literary responses to war in Spanish depictions of the North African campaigns and Russian Civil War prose, examining thematic, structural, and aesthetic qualities, as well as ideological divergences in their reception of war. In particular, Jose Diaz Fernandez's El blocao and Isaac Babel's Red Cavalry present a compelling case of
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Mediating War in Early Modern German Prose
2012Gunpowder technology had been in Europe since the fourteenth century, but it took two hundred years before German authors were aware of its social and aesthetic implications. When early modern people discussed gunpowder warfare in texts of the sixteenth and seventeenth centuries they were astonished by its ability to destroy people, places, and things,
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Women, wars and militarism in Svetlana Alexievich’s documentary prose
Media, War & Conflict, 2017This work examines the war prose of Svetlana Alexievich, an author from Belarus who writes predominantly in the oral history genre about significant political and social events in the Soviet Union and post-Soviet states. Alexievich is the 14th woman who has won the Nobel Prize in Literature and is one of just a few nonfiction authors recognized by the
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