Results 261 to 270 of about 76,947 (296)

Bildakt at the Warburg Institute

2014
This volume provides insight into the work of the "Collegium for the Advanced Study of the Picture Act and Embodiment" at the London Warburg Institute. It gathers a range of studies on the history and anthropology of the "picture act" (Bildakt), on phenomena related to the haptic experience of the image, on the living dynamics of internal and external ...
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The Warburg Institute Classification Scheme (1935)

2023
In this contribution, first published in “The Library Association Record” in 1935, Edgar Wind briefly explains the system of classification used in the Warburg Library, listing its merits and the issues that new fields of study will bring to it.
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Orientierung: Das Warburg Institute in London

exaly   +2 more sources

Aby Warburg, Three Lectures on Leonardo. 1899, edited by Bill Sherman, The Warburg Institute, 2019

2021
Salvatore Settis presents Three Lectures on Leonardo. 1899, a collection of lessons delivered by Aby Warburg in 1899 at the Johanneum in Hamburg. This text, edited by Bill Sherman in 2019, is Warburg’s second text translated into English by the Warburg Institute.
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WARBURG INSTITUTE ARCHIVE, GENERAL CORRESPONDENCE

Common Knowledge, 2012
Aby Warburg's Nachlass, the heart of the Warburg Institute Archive, is complemented by other large holdings which are no less remarkable. Quietly accumulating over the decades, still only provisionally cataloged, the vast corpus of letters filed as “General Correspondence” reveals itself to be a spectacularly rich resource for twentieth-century ...
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Margaret and the Warburg Institute

Dance Research, 2022
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Images on the move: some notes on the Bibliothek Warburg Bildersammlung (Hamburg) and the Warburg Institute Photographic Collection (London)

Art Libraries Journal, 2013
Created by Aby Warburg as a tool for his research and as a counterpart to his collection of books, theBildersammlung(image collection) acquired its first subject-based system in the late 1920s. This system was structured according to four binomial theme-motif pairings of key concepts.
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The Journal of the Warburg Institute, I

The Art Bulletin, 1939
Samuel C. Chew, Edgar Wind, Rudolf Wittkower   +2 more
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Report of the Warburg Institute

Renaissance News, 1954
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Report of The Warburg Institute

Renaissance News, 1951
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