Results 1 to 10 of about 477 (157)
Warhol (Un)limited : peut-on encore exposer Andy Warhol ?
Transatlantica, 2016 Bien qu’originellement concue autour du colossal Shadows, œuvre en cent-deux parties montree ici pour la premiere fois dans son integralite en dehors des Etats-Unis, l’exposition Warhol Unlimited qui se tient depuis le 2 octobre 2015 et jusqu’au 7 fevrier 2016 au Musee d’Art Moderne de la ville de Paris offre une veritable immersion dans l’univers de l’
Guillaume Mouleux
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Translating Warhol: turbamento, transmutation, transference [PDF]
Journal of Art Historiography, 2022 Andy Warhol (1928–1987) is one of the most famous and influential artists of the twentieth century, and a vast global literature about Warhol and his work exists. Yet almost nothing has been written about the role of translations of his words (understood
Reva Wolf
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La Filosofia di Andy Warhol and the turmoil of art in Italy, 1983 [PDF]
Journal of Art Historiography, 2022 The article revolves around the first Italian edition of The Philosophy of Andy Warhol. By reconstructing the history of the reception of Warhol in Italy since the 1960s, I position the book within the cultural moment at the turn of the 1980s.
Francesco Guzzetti
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Andy and Julia in Rusyn: Warhol’s translation of his mother in film and video [PDF]
Journal of Art Historiography, 2022 Andy Warhol’s first language was Rusyn, an East Slavic language related to, but distinct from, Russian and Ukrainian. His mother, Julia Warhola, spoke Rusyn with Andy all her life.
Elaine Rusinko
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Translating texts, translating readers: could Andy Warhol’s writings be translated into Indian languages? [PDF]
Journal of Art Historiography, 2022 Translating time- and context-bound subjects cross-culturally requires creative negotiations that often exceed the usual challenges a translator faces.
Deven M. Patel
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Pincio-Warhol-Caravaggio: for a triple self-portrait
Finzioni, 2022 This essay analyzes the novel Il dono di saper vivere (2018) by Tommaso Pincio on the basis of double gift of the writer-painter. By a textual and visual analysis, it shows the analogy between the metabiofiction about Caravage and the artwork of Pincio ...
Lavinia Torti
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Journal of Art Historiography, 2022 To translate is like playing a violin: more or less off-key, but always off-key. To examine the translations of Warhol—of his words and film images—is to see in evidence an effort, conscious or otherwise, to water down the power of these words and images,
Jean-Claude Lebensztejn
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La ripetizione e il sublime. Danto, Lyotard, Wathol e la fine (differita) dell’arte
Rivista di Estetica, 2021 This article compares two philosophers who have a different theoretical origin: respectively, Arthur C. Danto and Jean-François Lyotard. Both of them are interested in the revolutionary character of Andy Warhol’s art. Danto as well as Lyotard argues that
Dario Cecchi
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Pontus Hultén and the Quest to Bring Andy Warhol’s Pop Art to the Moderna Museet during the Cold War
Ex-centric Narratives: Journal of Anglophone Literature, Culture and Media, 2023 Today, Andy Warhol is recognized as one of the best-selling twentieth-century artists in the world. But how did he move from an artist of only American interest to the most expensive Pop Art star on the international scene?
Elena Sidorova
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L'Espace Politique, 2021 The paper examines the “Andy Warhol” Millennium Show exhibited at the State Hermitage Museum in Saint Petersburg in 2000 and at the Pushkin State Museum of Fine Arts in Moscow in 2001. It first discusses why the U.S.
Elena Sidorova
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