Results 21 to 30 of about 477 (157)
Warhol y su dimensión publicitaria hasta la actualidad
Imafronte, 2022 Se pretende con la figura de Andy Warhol demostrar cómo trasciende todo lo originado en postulados artísticos y de diseño, desde esos comienzos de la década de 1960 marcada por una nueva era de revolución social y contracultura.
Enrique Mena García
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New Religion: Wang Guangyi, Apelles’ Line, And Political Theology
Rivista di EsteticaAs Warhol appropriated posters and prints already ‘ready-made’, Wang Guangyi ‘covers’ Andy Warhol. This essay discusses Warhol and death (Marilyn Monroe, James Dean), mirroring artist and viewer, along with a discussion of Arthur Danto on Warhol and on ...
Babette Babich
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Entre el cine y la serigrafía: para una biografía sociológica de Andy Warhol
Tempo Social, 2019 Resumen Buscamos en este artículo reconstruir una breve biografía sociológica de Andy Warhol, ícono del pop art . Nuestro objetivo es identificar en su trayectoria una dimensión performativa de la objetivación como sujeto en el campo del artista ...
Nicholas Rauschenberg
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Developing the Linguistic Repertoire and Translanguaging Skills of Learners of Arabic as an Additional Language [PDF]
Journal of the National Council of Less Commonly Taught Languages, 2023 Arabic has been held up as a model of diglossia with Modern Standard Arabic (MSA) representing the “high” variety and local dialects the “low” variety. Yet, Arabic is not merely two language varieties, and Arabic speakers do not merely switch between the
Vance Schaefer +2 more
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Middlebrow Aesthetics: An Explanation and Defense
Pacific Philosophical Quarterly, EarlyView.ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
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piano b, 2016 In 1966, with the presentation of Cow Wallpaper at the Castelli Gallery in New York, Andy Warhol has upset the original status of wallpaper, using it as an independent expressive medium within visual arts, pushed beyond its former domestic use within the
Teresa Lucia Cicciarella
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Age‐ and sex‐specific modulation of human cardiac electrophysiology by doxorubicin
The Journal of Physiology, EarlyView.Abstract figure legend DOX differentially impacts cardiac electrophysiology based on sex and age. Sex differences were primarily observed among younger hearts, where action potential duration (APD) prolongation was observed in females, but not in males. Created using BioRender. George, S. (2026) https://BioRender.com/wresf1k Abstract Acute doxorubicin (
Sharon A. George +5 more
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A century of art dealing in New York. The rise of American art
The Economic History Review, Volume 79, Issue 1, Page 281-311, February 2026.Abstract We study art trade in New York between 1870 and 1970, analysing returns on investment by the renowned Knoedler gallery to shed light on the evolution of the American art market. A generalist art gallery should allocate investments to equalize expected returns, with differences in effective returns depending on purchase prices, number of traded
Federico Etro, Elena Stepanova
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Who Feels Looked Down Upon? Sources of “Symbolic Violence” in the United States
Sociological Inquiry, Volume 96, Issue 1, Page 87-108, February 2026.This paper explores the factors increasing the chances of thinking one's cultural tastes and interests would be looked down upon by others, a sentiment put under the label of “symbolic violence” by Pierre Bourdieu. Using data from a survey fielded in the US in 2017–18 (n = 2,514), it examines the role of social position, lifestyle, family status and ...
Will Atkinson
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“English Literature After #MeToo: Global Perspectives”: Introduction
Literature Compass, Volume 22, Issue 4, December 2025.ABSTRACT This introductory essay sets out the relationship between #MeToo movement and higher education in a global context, arguing that teaching in universities is defined by what we term “Post‐#MeToo Consciousness.” The essay explores the implications of this for teaching practice and the principles of English literary studies, opening questions ...
Kate Hext, Julie Choi
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