Results 61 to 70 of about 40,105 (290)
ABSTRACT This study presents the first comprehensive analysis of the pigments and techniques used by Charles Fairfax Murray (1849–1919), a leading expert in Italian Renaissance attribution, influential art collector and primary copyist for John Ruskin.
Victoria Kemp+3 more
wiley +1 more source
Off the Grid explores the messy relationship between public and private perceptions of our urban spaces, especially the tensions created when lived experience runs up against the physical and conceptual networks of cities: street grids, construction tape,
Buffington, Matthew Owen
core +2 more sources
A century of art dealing in New York. The rise of American art
Abstract We study art trade in New York between 1870 and 1970, analysing returns on investment by the renowned Knoedler gallery to shed light on the evolution of the American art market. A generalist art gallery should allocate investments to equalize expected returns, with differences in effective returns depending on purchase prices, number of traded
Federico Etro, Elena Stepanova
wiley +1 more source
Artist's Statement for the cover art of IJPS volume 4, issue 2: Two Ships, 2017. Watercolor and chalk on paper.
Amy Monroe
doaj +1 more source
The breeding of malaria-spreading vectors such as Anopheles funestus is influenced by various environmental factors that contribute indirectly to the transmission of the Plasmodium parasite.
Clifton Omondi+2 more
doaj +1 more source
Drawn to the Sea: Charles Bradford Hudson (1865-1939), Artist, Author, Army Officer, with Special Notice of His Work for the United States Fish Commission and Bureau of Fisheries [PDF]
The biography of Charles Bradford Hudson that follows this preface had its seeds about 1965 when I (VGS) was casually examining the extensive files of original illustrations of fishes stored in the Division of Fishes, National Museum of Natural History ...
Murphy, Kristin A., Springer, Victor G.
core
Spatial selectivity of the watercolor effect
The spatial selectivity of the watercolor effect (WCE) was assessed by measuring its strength as a function of the luminance contrast of its inducing contours for different spatial configurations, using a maximum likelihood scaling procedure. The approach has previously been demonstrated to provide an efficient method for investigating the WCE as well ...
Devinck, Frédéric+3 more
openaire +4 more sources
Abstract Alongside their continuing growth in the popularity, both practice research in creative disciplines and arts‐based methods in research in the social sciences have histories now spanning several decades. In doctoral education, art and design education research sits within and across two distinct fields – the art and design doctorate and the ...
Sian Vaughan
wiley +1 more source
Assimilative and non-assimilative color spreading in the watercolor configuration
A colored line flanking a darker contour will appear to spread its color onto an area enclosed by the line (watercolor effect). The watercolor effect has been characterized as an assimilative effect, but non-assimilative color spreading has also been ...
Eiji eKimura, Mikako eKuroki
doaj +1 more source
Un gioco di citazioni incrociate: “Giotto dipinge il ritratto di Dante” di Dante Gabriel Rossetti [PDF]
The article examines Dante Gabriel Rossetti’s watercolor "Giotto Painting the Portrait of Dante". The painting is the result of several artistic and literary quotations, being originally conceived as an interplay of anecdotes, literary texts, and works ...
Veronica Pesce
doaj