Results 61 to 70 of about 19,236 (184)

Nineteenth‐Century Watercolour Reproductions of Old Masters in the Ruskin Teaching Collection, Ashmolean Museum, Oxford: Materials and Techniques of ‘Heaven‐Borne’ Copyist Charles Fairfax Murray

open access: yesArchaeometry, Volume 68, Issue 1, Page 64-83, February 2026.
ABSTRACT This study presents the first comprehensive analysis of the pigments and techniques used by Charles Fairfax Murray (1849–1919), a leading expert in Italian Renaissance attribution, influential art collector and primary copyist for John Ruskin.
Victoria Kemp   +3 more
wiley   +1 more source

A century of art dealing in New York. The rise of American art

open access: yesThe Economic History Review, Volume 79, Issue 1, Page 281-311, February 2026.
Abstract We study art trade in New York between 1870 and 1970, analysing returns on investment by the renowned Knoedler gallery to shed light on the evolution of the American art market. A generalist art gallery should allocate investments to equalize expected returns, with differences in effective returns depending on purchase prices, number of traded
Federico Etro, Elena Stepanova
wiley   +1 more source

FIRST EVIDENCE OF LOST‐WAX CASTING IN THE EARLIER BRONZE AGE OF SOUTH‐EASTERN SPAIN: THE SILVER BANGLE FROM EL ARGAR, GRAVE 292

open access: yesOxford Journal of Archaeology, Volume 45, Issue 1, Page 50-67, February 2026.
Summary In 1884, one of the burials discovered at El Argar, the eponymous site of the El Argar culture, revealed the remains of a woman wearing an unusual silver bangle. This ornament appears to be the first evidence of a silver object produced by lost‐wax casting in Bronze Age Iberia and, to date, in Western Europe.
Linda Boutoille
wiley   +1 more source

From Molecule to Meaning: Click and Bioorthogonal Chemical Reporters for Plant Systems, Biological Imaging, and Artistic Expression

open access: yesChemBioChem, Volume 27, Issue 1, January 2026.
At the intersection of chemical biology, plant imaging, and contemporary art, this review introduces the concept of chembioart. By tracing how chemical reporters illuminate plant biomolecules in vivo, their role not only in advancing scientific understanding but also in inspiring transdisciplinary collaborations and visual expression is highlighted ...
Marie Hinnebo   +4 more
wiley   +1 more source

Issue Information

open access: yesAquaculture, Fish and Fisheries, Volume 6, Issue 1, February 2026.
Cover image: Many mackerel fish, underwater view;© Yellowj/Shutterstock, Abstract blue watercolor flow wet on wet paper; ©501room ...
wiley   +2 more sources

What's the Difference Between a Colorimeter, a Colorimeter and a Colorimeter?

open access: yesColor Research &Application, Volume 51, Issue 1, January/February 2026.
The word colorimeter has been used to describe a number of instruments for a century and a half. Some instruments didn't measure color, per se, and others didn't measure in the sense the term is now used. Understanding the evolution of this word brings us to a better appreciation of the devices that measure color today.
John Seymour
wiley   +1 more source

The amount of reachable habitat determines population fate

open access: yesEcography, Volume 2026, Issue 1, January 2026.
The scientific community remains divided on the most effective way to design landscapes for biodiversity conservation or restoration. Although there is a consensus that habitat loss is the main cause of biodiversity decline worldwide, the extent to which fragmentation (i.e.
Karolina Argote   +3 more
wiley   +1 more source

Home - About - Disclaimer - Privacy