Results 41 to 50 of about 651 (130)
The new independents: A historical analysis of webcomics and webtoon [PDF]
Webcomics have now existed as a form of graphic literature for slightly over thirty years, evolving along with computer technology and in turn reflecting the changes in culture, style and preferences for both independent artists on the Internet and their
Sepúlveda, Leonal A., S.
core +1 more source
Epistemic attunements: Experiments in intermedial anthropology
Abstract ‘Epistemic attunements – Regenerating anthroplogy's form’ is a collective experiment in expanding the expressive and analytic repertoire of anthropology and related disciplines. It features eleven peer‐reviewed research articles published on a standalone website that has been designed, built, and maintained by our editorial collective ...
Jennifer Deger +4 more
wiley +1 more source
Countering Islamophobia through Webcomics on Instagram [PDF]
The widespread use of social media is directly proportional to the widespread practice of spreading Islamophobia in the digital realm, especially in Western societies whose understanding of Islam or Muslims is primarily based on negative media ...
A.Manaf, Aini Maznina +3 more
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The Fences: A webcomic on collective debt and ruination in Paraguay
Abstract The Fences: A webcomic on collective debt and ruination in Paraguay is a production of the Australian‐Paraguayan comics studio CómicsClub comprised of anthropologist and writer Caroline E. Schuster and artists Enrique Bernardou and David Bueno.
Enrique Bernardou +2 more
wiley +1 more source
We examined how the amount of violence depicted in a webcomic episode was related to readers’ ratings of the episode and their perceptions of violence. Furthermore, we investigated how the relationships varied depending on whether the webcomic was action-oriented. To measure violence and readers’ perceptions, we used computational methods based on deep
Lee, Sang Yup +2 more
openaire +1 more source
La influencia del folclore en los cuentos de la ilustradora Emily Carroll
La ilustradora canadiense Emily Carroll ofrece en sus trabajos un muestrario bello y, a la vez, aterrador, de personajes femeninos y de monstruos (visibles u ocultos) que atraen al lector tanto por la forma mostrada como por el trasfondo que esconden ...
Emili Samper Prunera
doaj
Durante el estallido social, distintas autoras de cómic chileno utilizaron la plataforma digital para manifestarse. Por medio de sus webcómics en tiempo real, expusieron su visión de los hechos y crearon contenidos que fueron viralizados. Considerando lo
Paloma Domínguez Jeria +1 more
doaj +1 more source
Secure Component Distribution Using WebCom [PDF]
Abstract WebCom is a distributed computing architecture that may be used to distribute application components for execution over a network. A practical trust management system for the WebCom architecture is described. KeyNote-based authorization credentials are used to determine whether a WebCom server is authorised to schedule, and whether a WebCom ...
Simon N. Foley +2 more
openaire +2 more sources
Gender and performativity in webcomics
The remediation from comics to webcomics and flash animated comics will be explained highlighting the audiovisual modes they share with electronic literature works. Besides emphasizing the changes in the reading, publishing and commercial processes, the main aim of this article is to compare gender roles in characters of webcomics with the ...
openaire +3 more sources
LGBTQ+ Webcomics and Graphic Novels
An overview of how the uniquely visual and widely accessible formats of YA graphic novels, comics, and webcomics have broadened LGBTQ+ visibility and representation.
Thomas, Ridley, Marcoux, Nicole
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