Results 91 to 100 of about 309,561 (288)

‘Fatherhood Under Suspicion’: The Experiences of Fathers of At‐Risk Children From East Jerusalem Following Out‐of‐Home Placement

open access: yesChild &Family Social Work, EarlyView.
ABSTRACT Fathers, particularly in conservative patriarchal societies and politically complex contexts, are often underrepresented in research on child protection and out‐of‐home placements. Addressing this significant knowledge gap, this study focuses on Palestinian fathers from East Jerusalem whose young children were removed from their homes by court
Mayis Eissa
wiley   +1 more source

What’s in a Name : la masculinité à l’épreuve de Shakespeare relu par Wilde

open access: yesItinéraires, 2010
Wilde revisits Shakespeare’s Sonnets to hint at their homoerotic contents. His short story, The Portrait of Mr. W. H., is an occasion to promote a form of attachment between male late Victorians who try to crack the identity of the poems’ male dedicatee.
Gilbert Pham-Thanh
doaj   +1 more source

Climate Contracting and Carbon Performance: Does Climate Governance Matter?

open access: yesCorporate Governance: An International Review, EarlyView.
ABSTRACT Research Question/Issue Despite the growing integration of environmental, social, and governance (ESG)‐linked incentives in executive compensation contracts, empirical evidence on their effectiveness in driving substantive ESG outcomes remains inconclusive.
Hany Elbardan   +2 more
wiley   +1 more source

David Nish, piano, April 19, 1986 [PDF]

open access: yes, 1986
This is the concert program of the David Nish, piano performance on Saturday, April 19, 1986 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Toccata in C minor, BWV 911 by Johann Sebastian Bach, Sonata in F major, Op.
School of Music, Boston University
core  

Consumerism, Celebrity Culture and the Aesthetic Impure in Oscar Wilde

open access: yesEnglish Literature, 2015
This article investigates the discursive arena in which Oscar Wilde exercised his countercultural and necessarily impure aesthetic taste, focusing on some defining aspects and texts of Wilde's epopee, namely his cult of celebrity, which was nourished,
Martino, Pierpaolo
doaj   +1 more source

OSCAR WILDE OU A IDENTIDADE POÉTICA ENCARCERADA [PDF]

open access: yes, 2011
This article aims to expose the dandy soul of Oscar Wilde. His life proves extravagance events, liberty claims, and homoafects tolerance. The Picture of Dorian Gray's author even suffered a criminal process in reason of his relation with Lord Alfred ...
Latuf Isais Mucci
core  

Subjective Literary Critic – Personal Reasons for the Similiarity of O.Wilde and M. Kuzmin’s Aestheticviews

open access: yesJournal of Danubian Studies and Research, 2013
The psychotypes of the modernist critics O. Wilde and M. Kuzmin are under investigation in the presented article. The author distinguishes the main features of characters and the cultural environment of the English and the Ukrainian literary critics that
Olena Kolmykova
doaj  

Traditions of S.T. Coleridge’s ‘The Rime of the Ancient Mariner’ in ‘The Ballad of Reading Gaol’ by O. Wilde

open access: yesSpace and Culture, India, 2019
This article aims to analyse the poetic traditions of The Rime of the Ancient Mariner by S.T. Coleridge, which migrated into The Ballad of Reading Gaol by O. Wilde.
Dmitry Nikolayevich Zhatkin   +1 more
doaj   +1 more source

‘He is a perfect horror!’: ‘Freakish’ Bodies and Behaviours in Oscar Wilde and Twentieth Century Literature

open access: yesABEI Journal
Oscar Wilde has had a pervasive influence on Irish writers and writers abroad. His influence stems from the self-styled myth of his persona and the memory of his life after his death in November 1900.
Maureen DeLeo
doaj   +1 more source

‘Subtle Instrument of Music’: Translating the Sound and Appearance of Decadence in Wilde’s Salomé

open access: yesCahiers Victoriens et Edouardiens, 2017
Oscar Wilde’s Salomé was an adventure in decadence, decapitation, and the French language. Wilde called the play his ‘first venture to use for art that subtle instrument of music, the French tongue’ (Hart-Davis 331).
Erin Dunbar
doaj   +1 more source

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