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Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2016 Witkacy suffered from amusia as a child and as an adult person. He was seriously interested in music only for a little over twenty years (1890–1914?). He wrote his main works as an amusic. The relation between amusia and metaphysical feelings may suggest that Witkacy wrote dramas and created painting compositions in order to evoke the lost strangeness ...
Bocheński, Tomasz
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Tuwim and Witkacy: Visual Translation of 'Kalinowe dwory' [PDF]
Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2016 The article offers a comparative analysis of a lost painting by Witkacy (know only from a photographic reproduction) and a poem by Julian Tuwim. Tuwim’s poem inspired Witkacy to create his work.
Polit, Paweł
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Witkacy and His Doppelgängers [PDF]
Eidos. A Journal for Philosophy of Culture, 2020 The literary work of Stanisław I. Witkiewicz (Witkacy), whose world career began in the fifties of the last century, is considered today in many aspects as precursory to postmodernism. In his dramas and novels, this is manifested in the creation of characters who are internally broken up, who act like deregulated human machines and who are unable to ...
Paweł Dybel
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Freedom of self-discreditation. On Witkacy’s letters to his wife [PDF]
Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2017 „If these letters are to be found by someone after my death, I will be brought into disrepute (…)” – wrote Witkacy to Jadwiga and he reminded his wife of destroying all the letters she receives from him.
Kurowska, Sara
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Witkacy – Schulz – Gombrowicz [PDF]
Tekstualia, 2014 The article presents the original achievements of three writers: Stanisław Ignacy Witkiewicz, Bruno Schulz and Witold Gombrowicz. The text indicates the sources of their inspiration, and describes their reception, and formal experiments. Confrontation of these three types of oeuvre is based on the belief that the legacy of these authors is not merely a
Nalewajk, Żaneta, Wiśniewski, Tomasz
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Tuwim’s Dialogues with Banality [PDF]
, 2016 The article examines the relation between Tuwim’s poetry and modern colloquial language. The avant-garde artists for whom in the beginning of the 20th-century art was an elite occupation, treated every-day speech as a mass form of communication.
Bocheński, Tomasz
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Modern reading of Leśmian [PDF]
, 2009 The text discusses critically the analyses of Leśmian’s poems carried out by Markowski in his Polska literatura nowoczesna [Polish modern literature]. The critical evaluation focuses on the following four key assumptions (and convictions) presented by ...
Larek, Michał
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Censorship Towards Czesław Miłosz in Poland in the Fifties after Having Chosen the Emigration [PDF]
, 2016 This article shows the outline of problems connected with censoring Czesław Miłosz’s literary output in Poland in the 1950s, when the poet breaks off with the national government and chooses political asylum in France, becoming an émigré.
Woźniak-Łabieniec, Marzena
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Performance/mathematics: a dramatisation of mathematical methods [PDF]
, 2014 This essay conceptualises the notion of performance mathematics in terms of a paradoxical relationship with the constructed notion of truth, which is shared by theatrical and mathematical performance.
Abbott Stephen D. +23 more
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Creator’s freedom. Schulz’s late projects [PDF]
, 2017 The article discusses the idea of creation coined by authors descended from the same, Austro-Hungarian cultural field, by: Bruno Schulz, Joseph Roth and Gustav Meyrink. Austro-Hungarian Monarchy created its own mithology based on nostalgia for the World,
Szyszka vel Syska, Monika
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