Results 111 to 120 of about 23,437 (221)

Boston University Concert Choir, Odi et Amo: Songs of Love and Hate, February 19, 2008 [PDF]

open access: yes, 2008
This is the concert program of the Boston University Concert Choir, Odi et Amo: Songs of Love and Hate performance on Tuesday, February 19, 2008 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue.
School of Music, Boston University
core  

The Fruitful Interactions of Existential Semiotics and Musical Analysis: New Ways and New Challenges

open access: yesStudia Semiotyczne
The article presents a synthetic panorama of the fruitful intersection of ex­istential semiotics and musical analysis, as well as the Zemic model created by Eero Tarasti and its application to music.
Eero Tarasti
doaj  

Lieder von Vergangenheit, November 1, 1986 [PDF]

open access: yes, 1986
This is the concert program of the Lieder von Vergangenheit performance on Saturday, November 1, 1986 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were An Chloe, KV 524 by Wolfgang Amadeus Mozart, Abendempfindung, KV 523 by
School of Music, Boston University
core  

Toma Popovici, piano, April 2, 2002 [PDF]

open access: yes, 2002
This is the concert program of the Winner of the Ann and Aaron Richmand 2001 Piano Competition, Toma Popovici, piano performance on Tuesday, April 2, 2002 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core  

WOLFGANG AMADEUS MOZART: SMRT GENIJA

open access: yesActa medico-historica Adriatica : AMHA, 2013
The early and unexpected death of Wolfgang Amadeus Mozart (Salzburg, 1756 – Vienna, 1791) was a mystery from the very first day and the subject of wildest speculations and adventurous assertions. Over the last 100 years, medical science has investigated the physical sufferings and the mysterious death of Mozart with increasing intensity.
Hatzinger, Martin   +2 more
openaire   +2 more sources

[Effects of music in intensive care medicine]. [PDF]

open access: yesMed Klin Intensivmed Notfmed, 2022
Trappe HJ.
europepmc   +1 more source

The Categorical Perception of the Music Scale a Challenge before the Microtonal Music

open access: yesAccelerando: BJMD, 2018
The text examines the phenomenon of categorical perception of musical pitch as defined by John Sloboda (1999), Jane A. and William Siegel (1977), Stefan Koelsch (2012), and William Yost (2013), in their researches in the field of music psychology.
Ivan Kostadinov Yanakiev
doaj  

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