Results 41 to 50 of about 23,378 (221)
An Evening of Song, April 18, 1995 [PDF]
This is the concert program of the An Evening of Song performance on Tuesday, April 18, 1995 at 6:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Consequentialism, Welfarism, and Meaning in Life
Abstract What, if anything, makes a life meaningful? Consequentialist theories about meaning in life maintain that the consequences of that life confer meaning upon it. This article advances one such theory: welfarism about meaning in life. According to this view, a life is conferred meaning if, and only if, and then only insofar as, it promotes or ...
Chad Mason Stevenson
wiley +1 more source
Opera Scenes Program, March 27, 1996 [PDF]
This is the concert program of the Opera Scenes Program performance on Wednesday, March 27, 1996 at 4:00 p.m., works performed were Quartet from Act III, Die Entführung aus dem Serail by Wolfgang Amadeus Mozart, Trio from Act I, Il Matrimonio Segreto by ...
School of Music, Boston University
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Yvonne Loriod and the Practice of Analytical Memory
ABSTRACT The usefulness of music analysis in memorisation is well attested in music‐performance scholarship, even though the methods and processes of analytical memorisation are rarely documented and difficult to assess, especially in a historical perspective.
Peter Asimov, Christopher Brent Murray
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Abstract The physics of disconnection between interrelated surface and groundwater has evolved considerably in recent years, especially since conjunctive use of water resources is increasingly dependent on groundwater resilience, but methods to measure disconnection on a river basin scale are lacking especially for managed‐ephemeral and irrigated ...
Erek H. Fuchs +2 more
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Hierarchische und dynamische Einheit. Kontext-Eigenschaften und ›metrische Pfade‹ als Kategorien der Syntaxanalyse bei Mozart [PDF]
Die Einheit einer Komposition oder eines Formabschnitts gründet nach Theorien wie derjenigen von Heinrich Schenker darauf, dass sich die erklingenden Ereignisse auf Strukturen beziehen und diese Strukturen wiederum als Teilmomente eines hierarchischen ...
Michael Polth
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The phantom of the opera: Mozart's Zaide on stage
Taking as a starting point Nicholas Cook’s idea of studying music in its “multiple cultural context, embracing production, performance, reception, and all the other activities by virtue of which music is constructed as a significant cultural ...
Karina I. Zybina
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Undergraduate Masterclass with Carlo Bergonzi, February 1, 1990 [PDF]
This is the concert program of Undergraduate Masterclass with Carlo Bergonzi performance on Thursday, February 1, 1990 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
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Mozart Requiem: Boston University Chorus and Chamber Orchestra, November 19, 1990 [PDF]
This is the concert program of the Mozart Requiem: Boston University Chorus and Chamber Orchestra performance on Monday, November 19, 1990 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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