Results 41 to 50 of about 23,437 (221)
Honour and humiliation: Emotional economies of war and defeat
Nations and Nationalism, Volume 31, Issue 4, Page 809-820, October 2025.Abstract The article looks at nationalism, war and defeat from a history of emotions perspective. It frames nationalism as a political programme and mindset that enlists emotions of belonging and solidarity, but also fear, anger, hatred and contempt.
Ute Frevert
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Heinrich Wilhelm Haugwitz and the reception of Mozart's operas in early nineteenth-century Moravia
Musicologica Brunensia, 2021 For about a decade in the early nineteenth century, the castle of Count Heinrich Wilhelm Haugwitz in Moravian Náměšť nad Oslavou hosted a large number of musical activities centered on Mozart's operas. These activities are documented in orchestral scores,
Martin Nedbal
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An Evening of Song, April 18, 1995 [PDF]
, 1995 This is the concert program of the An Evening of Song performance on Tuesday, April 18, 1995 at 6:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Consequentialism, Welfarism, and Meaning in Life
Pacific Philosophical Quarterly, Volume 105, Issue 4, Page 583-604, December 2024.Abstract What, if anything, makes a life meaningful? Consequentialist theories about meaning in life maintain that the consequences of that life confer meaning upon it. This article advances one such theory: welfarism about meaning in life. According to this view, a life is conferred meaning if, and only if, and then only insofar as, it promotes or ...
Chad Mason Stevenson
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Hierarchische und dynamische Einheit. Kontext-Eigenschaften und ›metrische Pfade‹ als Kategorien der Syntaxanalyse bei Mozart [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2015 Die Einheit einer Komposition oder eines Formabschnitts gründet nach Theorien wie derjenigen von Heinrich Schenker darauf, dass sich die erklingenden Ereignisse auf Strukturen beziehen und diese Strukturen wiederum als Teilmomente eines hierarchischen ...
Michael Polth
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Undergraduate Masterclass with Carlo Bergonzi, February 1, 1990 [PDF]
, 1990 This is the concert program of Undergraduate Masterclass with Carlo Bergonzi performance on Thursday, February 1, 1990 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Yvonne Loriod and the Practice of Analytical Memory
Music Analysis, Volume 43, Issue 3, Page 331-379, October 2024.ABSTRACT The usefulness of music analysis in memorisation is well attested in music‐performance scholarship, even though the methods and processes of analytical memorisation are rarely documented and difficult to assess, especially in a historical perspective.
Peter Asimov, Christopher Brent Murray
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Mozart Requiem: Boston University Chorus and Chamber Orchestra, November 19, 1990 [PDF]
, 1990 This is the concert program of the Mozart Requiem: Boston University Chorus and Chamber Orchestra performance on Monday, November 19, 1990 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
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The phantom of the opera: Mozart's Zaide on stage
Современные проблемы музыкознания, 2021 Taking as a starting point Nicholas Cook’s idea of studying music in its “multiple cultural context, embracing production, performance, reception, and all the other activities by virtue of which music is constructed as a significant cultural ...
Karina I. Zybina
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